Previewing George Michael: Freedom

Man, we have lost some all-timers recently. Just in the last two years we have lost Davis Bowie, Glen Frey, Prince, George Michael, Chuck Berry, and most recently Tom Petty. All at some point could be considered the biggest artist in the world. Michael is an interesting case because it is very rare for an artist to go from teen idol to a critically acclaimed all timer. It is basically him and The Beatles. But on the flipside, fewer one time biggest act in the world fell faster and harder out of public consciousness.

George Michael: Freedom is a film the singer was finishing at the time of his death last Christmas. But after his death there was no epilogue added mourning his death, just an introduction by Kate Moss explaining the circumstance of how the documentary was being made. George is the director and narrator for better or worse. Obviously when you have the subject so deeply involved you get the most accurate account, but then the subject can also gloss over event that an objective filmmaker knows is important.

First off, Wham! gets a very short shrift. Michael goes solo within ten minutes of the film (and that even includes credits and his early life) and Andrew Ridgeley is not even interviewed. Also George’s most infamous moment is not discussed. The only time the bathroom incident is even referred to was showing the Outside music video and an Extras cameo when George says, he is doing community service, but ”not for that incident.”

Even then, this still an intimate look at a guy who once refused to appear in his own music videos or really do much promotion of his music starting in the nineties. There is plenty of time devoted to his secret boyfriend who died of AIDS and was the inspiration of much of Older. There are also plenty of interviews from his influences (Stevie Wonder was shocked to learn he was white), contemporaries (Elton John, in true Elton John fashion is pissed he was not playing the piano on Freedom ’90), people he influences (unfortunately Liam Gallagher did not come with subtitles), and all the supermodels in the Freedom ’90 music video (one of which admits to throwing eggs at him when Wham! opened for Culture Club in their pre-fame days).

George Michael: Freedom may not be the bit of filmmaking ever which can be expected when it is being helmed by the singer and not an actual filmmaker. But he wisely picked plenty of good storytellers who sell his life and times well. My favorite parts are when they just drop the pin on the record and have the talking heads listen and comment on certain songs. This is a devise that should be used by all future music documentaries.

George Michael: Freedom premieres Saturday at 9:00 on Showtime.