There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
UNICEF, MTV and The Killers teamed up this thought provoking video to shed the light on human trafficking. Hopefully since they are involved, MTV actually shows the video sometime other than times when normal people are not sleeping.
Back in 2000, I would have pegged David Gray to end up being one of the artists of the decade. As we close out the ’00 that sadly didn’t turn out to be the case aside from my own record collection as most people were turned off by his dark turn on A Day After Midnight. But still color me excited for Draw the Line out next month.
iTunes use to find a lot of gems with their weekly free Single of the Week, but this year has been mostly misses. But that turned around this week where you can get this song from Kate Earl for the low price of nothing. As long as the banner below is of Earl, you can still get it for free. As for the song itself, I love the subtle doo-wop in the middle of the song.
Concept albums are always a tricky situation, but Pete Yorn started off his career with a concept trilogy dealing with the times of the day: Musicforthemorningafter, The Day I Forgot, and Nightcrawler. The first two albums had their great moments signaling Yorn as the next great singer-songwriter from the Garden State making a niche as either a folksier version Bruce Springsteen’s E-Street Band era of a more rocking version of his Nebraska style of music.
But by the time he got around to finishing his trilogy, Yorn sounded like he was just spinning the tires with songs that sounded like his previous work but less adventurous. With the trilogy out of the way, there were high hopes for his fourth full length album Back & Fourth. Unfortunately is follows in the trend of Nightcrawler, a step backwards.
There are a few bright spots on the album like the depressing (in an entertaining, more melodic Ryan Adams kind of way) Social Development Dance where Yorn hears about the passing only to get no results when Google her name in quotations. Last Summer perfects Yorn’s ability to write hard driving emotion songs. But in the end, if you already have the first two Pete Yorn albums, there isn’t much need to pick up Back & Fourth.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
Can’t say I was too fond of the last album from Pete Yorn after his solid first two albums. Here is hoping that Back and Forth (due June 23) gets Yorn back on track. If your are interested in downloading Don’t Wanna Cry for free, head over to Spinner.com.
If I were to make a list of the best songs of the first half of the year, Kings of Leon would be in the discussion. And I would highly recommend hunting down the mash up of Use Somebody with Same Old Song by the Four Tops.
311 predated the horrible rap/metal fad of the late nineties and have seemed to outlast it and still is putting out decent music. Plus this video is great, seriously, sign-wielding ninjas! Learning that the sign twirling was CGI would be like learning that Manny Ramirez was trying to get pregnant.
There have been a couple of videos that have caught my eye lately so I though I’d give them some love since the death of Musical Television left a void for a forum on the art form so here they are courtesy of YouTube. I advise you to watch them before you read my reviews if you don’t want me to spoil things. If you are interested in buying the video through iTunes, click the title link (where available, if not the link goes to YouTube where you can watch the video in full screen). If you are interested in buying the song, look for a link in the analysis.
There’s a good chance you have already seen this video considering it’s already logged over a million views on YouTube in under a week but it’s worth another look. The most powerful image is that of the fighter jets flying over the Superdome. Chilling. The song was supposed to be available in iTunes in starting November, but I have yet to see it. The song of course will be part of the upcoming single disk Greatest Hits. Granted I can’t endorse any U2 retrospective that doesn’t include All I Want Is You.
Much like the album Sam's Town (see Nobody Ever Had a Dream Round Here), the video for the latest Killers video is a little bit of a letdown. Yeah the video is great, but I was expecting something more along the lines of Tim Burton’s to stop motion movies. Instead we get a mix with live action that looks more Army of Darkness than Nightmare before Christmas. Leave it to The Killers to make something great and be disappointing at the same time.
Okay the song isn’t as close as catchy as 1984, but the latest video from Bowling for Soup is equally, if not more entertaining as its predecessor. My personal favorite of the montages has to be the wedgies one. Brings back fond memories for me (but I hope that the revenge doesn’t happen to me at my High School reunion).
I’m still warming up to the latest album by Pete Yorn (see Walk Me Out in the Morning Sun) and this video is helping the cause out. Granted I’m not entirely sure exactly what’s going on, but there’s a good laugh when Pete’s making googlily eyes at the cartoon bird in its dream. Brilliant.
At first listen to Nightcrawler, the third album from Jersey’s own Pete Yorn, it is pretty much a let down. His first two albums was a return to root-rock in the mold of John Mellencamp and fellow Jersey denizen Bruce Springsteen but with a modern edge to it. But I wasn’t sold on his previous albums upon first listen either as they both grew on me to become permanent staples in my playlist. And more I listen to Nightcrawler, the more I’m coming around to it.
The main problem with this album is its rocky start, Vampyre is a little too dark and moody to kick of and album even with its weird upbeat outro. Then it moves into For Us (which features Dave Grohl of The Foo Fighters the drums) that just doesn’t click well. The album gets on track with Undercover, a classic Yorn song with electric elements but still rooted in rock music. Policies follows it up with a driving ambient which sounds like what Pearl Jam would have sounded like if they listen to too much of The Beach Boys. The Man is one of Yorn’s best, a soft lilting balled with lush harmonies provided by the Dixie Chick’s Natalie Maines. While Maybe I’m Right is right up there will all of Yorn straight ahead rock songs with crushing guitars.
The album does fall into tedium for a few songs until he starts sing about “Michael Jackson in Disney Land” where he’s walking around holding hands with Goofy. Um, yeah, you read that right. Actually Splendid Isolation actually works even with its absurd lyrics. But there are some more sidesteps on the album, Broken Bottle is a little to slow and could put you to sleep, same with Ice Age. Georgie Boy is just a little weird in a British kind of way.
Now apparently this album is the last in a trilogy of albums based on the events of one day. Looking at the album titles, Musicforthmorningafter, Day I Forgot, and Nightcrawler, it makes sense although it never crossed my mind listening t the individual songs on those albums. I’ll have to play all three in sequence and maybe it will click. But if you were to make a trilogy based on the events of a day, the night version shouldn’t be the least entertaining. But then again Nightcrawler may grow on me more like the pervious ones do.
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