There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
Who would of guessed that an intro of The Avett Brothers fighting with each other would be so entertaining. I wonder if there is a tape out there like the one that the Gallagher brothers released at the height of Oasis which somehow managed to crack the singles charts in England.
I do not know why it crossed my mind while watching this video, but I wonder if John Mayer wrote this song about Olivia Munn. I know something like Olivia Munn is what I need to find.
So were Lady Antebellum unable to get Kat Dennings? I cannot imagine they were sitting around wondering if they could get the other chick from 2 Broke Girls to be in their video.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
You would think after such a weird Saturday Night Live performance Frank Ocean would let his John Mayer and video games assisted visuals sit for awhile. Instead he promptly released a Fear and Loathing in Las Vegas style video for his eight-minute epic RnB synth ballad. I am starting to think that Frank Ocean is on some Prince level ish right now.
I recently read that Cat Power dipped into her retirement to fund her latest album and music video. Cat: there is this thing now called Kickstarter where fans will pay for that stuff. Seriously think about using it so we do not have to wait another six years for another heartbreakingly beautiful album, or weirdly awesome music video. I may even chip in a dollar or two.
Remember when Nelly Furtado first came out like the pixie folkster with I’m Like a Bird? What the frack happened? This song is just not good. But still better than that horrendous Big Hoops song. At least the visuals are cool.
When Daniel Rosa showed up again on the season of The Voice I thought to myself, it is cool they are letting rejects re-audition, but what the heck happened to Ducky? Apparently Ducky got himself a band, a record contract and music video. But it is weird that he got rid of his mustache and gave it to the magician.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
Norah Jones continues her path of destruction with what looks to be a sequel (prequel possibly) to her Happy Pill video. Hopefully the trilogy ends better than Spider-Man 3.
I am always a fan of one take music videos (okay, there are a couple obvious cuts here) and it looks like John Mayer is continuing his mountain recluse look at least on screen because after disappearing to the plains of Montana the last couple years after being humiliated because of his high profile relationships, he was quick to be seen with the recently single Katy Perry just a month after his album was released. I wonder what Vegas has for the Over/Under of a Playboy style interview.
You may think to yourself that you may not need a artsy black and white dramatic turn from Carrie Underwood, and after watching this video, you will probably be right. C’mon, if you are going to go back between black and white and color featuring a twister, just go full The Wizard of Oz.
I liked the folksy vibe of her first two album making Tristan Prettyman a female Jack Johnson. With that background it is a little weird to see her dancing around in the first video from her upcoming album.
It dawned on me while listening to the new John Mayer new album that all his previous albums had a musical theme. Room for Squares was his pop album. Heavier Things was his blues album. Continuum was his soul album. And Battle Studies was his crappy concept album about dating and breaking up with Jennifer Aniston. It is clear listening to Born and Raised that he has entered his folk phase. The album even features about as much harmonica as electric guitars. Most of the album is just him as part of a four piece band with an occasional guest like trumpeter Chris Botti, violinist Sara Watkins formerly of Nickel Creek, and David Crosby and Graham Nash (sans Stills or Young) doing backing vocals.
Of course one of the main reasons Mayer may have retreated to the frozen country of Montana was that his stupid mouth got him in trouble time and time again in the promotion of his last album when talking about his racist genitalia and sexual napalm. When first single Shadow Days hit, it sounding like the singer was apologizing for saying too much again when he opens the song with the lines, “Did you know that you could be wrong and swear you’re right” and adds in the chorus, “I’m a good man with a good heart. Had a tough time, got a rough start.”
It turns out repentance is a big theme of Born and Raised. On If I Ever Get Around to Living It is hard not to think he is talking to himself when he asks somebody, “When you gonna wise up boy?” And I may not be a shrink, but Whiskey, Whiskey, Whiskey (which is followed by water, water, water, sleep) kind of sounds like a lyrical excuse for his spoken words. Then in the verses, there are lines like “The only deal I ever signed, the old devil drew a dotted line. The stage was set, the words were mine, I’m not complaining” which is followed by “it’s just a phase, it’s not forever (but I still might have a ways to go).”
Mayer saves his biggest regrets for the title track, a heartbreaking tale of his parents dissolving marriage which is worthy of the country sound where he laments it is “such a waste to grow up lonely.” But it is not all doom and gloom because the album actually ends with the Born and Raised (Reprise) is a bit more optimistic in a sitting around the firepit and singing a song with your friends at the end of the day kind of way. Born and Raised was a nice diversion into folk, hopefully John Mayer’s rock opus is coming next.
A pretty slow week for music releases (unless you’re a fan of the 90’s: Wilson Philips! Candlebox!!) and where spring has become a wasteland for new music ever since the major labels pushed 90% of major releases to the weeks before Christmas, there is a surprising glut of great music coming in the next couple weeks, here are the top five album I am must looking forward to in the next couple months.
1. …Little Broken Hearts – Norah Jones (May 1): Sure the spaghetti western soundtrack album Danger Mouse released last year was a bit of a letdown, but the three standout tracks all utilized the vocal talents of Norah Jones (sorry Jack White). The duo is back together for a new album, but unlike Danger’s previous duets with Cee-Lo and the dude from The Shins, no new band name instead the album is being released under Jones’s name. Despite the darkness of Rome’s tracks, the first single from …Little Broken Hearts is the bouncy break up song Happy Pills. And looking at other track names (Say Goodbye, Travlin’ On) we will be getting a full on break up album.
2. Born and Raised – John Mayer (May 22): Let’s get out of the way first: Mayer’s last album sucked massively because nobody wants to hear a concept album about dating and breaking up with Rachel Green. In the three year since the album his stupid mouth has gotten him much more publicity than his music but has been relatively quiet since starting recording the album, which may just be because of a lingering throat problem, but the first single Shadow Days suggest that he is truly sorry for saying things like how his genitalia is racist. I just hope the album is more on par with his first three.
3. What We Saw from the Cheap Seats – Regina Spektor (May 29): The first song off the new album from Spektor, All the Rowboats, sound darker than anything she has done before. This could be thanks to producer Mike Elizondo who is most famous for working with Dr. Dre but also produced that last album from fellow pianist Fiona Apple. But the second single, Don’t Leave Me does fit much better into her back catalogue, most because it is actually a new version of a song she released a decade ago.
4. Blunderbuss – Jack White (April 24): Now that he has stated no more new bands, Jack White is now on his own, but I get the sense we will still get the blues-pop-rock through a weird filter that we have come to love from the guitarist.
5. The Idler is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do – Fiona Apple (June): Much like her last album, Fiona’s new album has been sitting on the shelf for a while but will supposedly get a June release, though no specific date gives me pause that we will actually get to hear the album before then. Unless, of course, you caught her nine date tour last month where she unveiled some new song (I avoided listening to them because I do not like to judge songs based on a crappy YouTube recording). (Scooter Update: It seems like whenever I create one of these music preview lists, inevitably that day a major release gets announced and today was no difference as just an hour after I published this post, Fiona Apple wrote on her Facebook page that her album got an official release date: June 26 along with the cover art. No presale on Amazon as I write this update.)
And here are some other notable releases. Click on the album title to preorder on Amazon or the artist name to be taken to their iTunes page.
A wise man once said music is the soundtrack to your life. Not only is it your soundtrack, but it is your yearbook; hearing certain songs will take you back to a high school dance, your first kiss or the time you drunkenly tried to steal a speed bump from a parking lot in college (No Diggity! No Doubt!). Listening to Room for Squares by John Mayer can take you back to the time to your early twenties when the world was at your fingertips when anything was possible. Back before you were stuck in a dead end job (and that is if you are lucky these days), had a mortgage that is not worth the paper it is printed on and long before John Mayer was writing crappy concept albums about having sex with Jennifer Aniston. But one thing Mayer got right on that crappy concept album is that it is a long time since twenty-three and listening to Room for Squares, this month’s induction into the Scooter Hall of Fame, will take you right back to that age.
John Mayer broke on the scene with No Such Thing, a one man acoustic version of the Dave Matthews Band delivering folksy pop with hope for the future. Even if the song starts off with the sarcasm of “Welcome to the real world she said condescendingly” he was still looking forward to running through the halls of his high school even if his ten year reunion was still a couple years away. The bright eyed optimist could be found all over Room for Squares like on the 3x5, a must for any road trip where Mayer himself takes to the road lamenting nothing but not having a camera to document his trip.
The name Room for Squares started up Mayer longstanding love of self deprecation and seeped into the songs on the album like on My Stupid Mouth (which he still has not cured a decade later) where his mouth resigns him to play a game of chess with the salt and pepper shaker by himself. And of course there is also the biggest song of his career: Your Body Is a Wonderland. Is it cheesy? Yes. Was it overplayed? Definitely. Did every guy who put it on when alone with a lady get some sweet lovin’ because it? Quite possibly. Wonderland was not the only chance on the album to make your move as there were a few other love songs on the album most notably St. Patrick’s Day. It is a shame the song did not become a winter standard, maybe because it spanned too many holidays, but it remains a great track on in the colder months when you want to be warmed up by that special someone.
Back in 2006 someone asked me what I thought was the best song of the year was and I responded that Gnarls Barkley’s Crazy wasn’t just the best song of the year, but it was the greatest song of the decade. It was at that moment I thought about doing a Greatest Songs of the 00’s list and started a playlist that ended up with around 1400 songs four that I then widdled down to my favorite even thousand. If you have not done so yet, head over to The 1000 Greatest Songs of the 00’s for the complete list. Here is how the list broke down by the numbers. Now if excuss me, I need to get started on my list of the 1000 Greatest Songs of the 10's.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
It should have been Taylor Swift’s week with the release of her highly anticipated junior album, but Kanye West just had to steal her thunder once again by releasing his thirty-five minute film just days before. Runaway is kind of boring and would have worked much better as individual music videos with a common theme. Like the song Runaway is much more digestible as a nine minute video (well the five minute version is more digestible as it cut off the fuzzed out ending).
Speaking of Swift, on her new album she has a song titled Dear John that may or may not be about John Mayer (okay, it probably is). The only problem that Jessie James also recently released a song titled Dear John that may or may not be about John Mayer (okay, it totally is considering seventy-five of the lyrics are composed of titles of Mayer songs). Which begs the question, do we really need two songs written about Jon Mayer released in the span of a month?
You really cannot go wrong starting a video with a Big reference (even if the movie came out in 1988 and the lead character wanted to be, well, big). Then throw in a lead singer with a Thriller jacket and imitating Billy Idol (at least I think that is what he was going for). Thank you Neon Trees. But what was with the random Corey Feldman sighting?
Even more eighties references, this time from Fatlip (you may better know his group The Pharcyde) reuniting him with Spike Jones who directed the groups seminal Drop video.
Some say we will look back at the 00’s as the decade when the full length album died, and for the most part they will be right. Sure albums will never go away as long as there are people stupid enough to plop down ten dollars for an album with only a good song or two. But the album as an event has long passed. In this instant gratification day and age, we just want to get to the three minutes of musical joy instead of having to spend a whole album digesting an album. I cannot remember one album I sat around with a bunch of friends last decade dissecting it with friends like I did back in the ninties (granted this may be an age thing).
So my list of the 100 Greatest Albums of the 00’s is less about a cohesive album (which there were very few of in the 00’s) than just a collection of twelve good to great songs. I’m sure there can be griping of albums I left out, but when compiling a list of albums for consideration, I only included albums I actual spent money on (or had someone else buy for me, with the obvious exception of two albums on the list), and when it comes down to it, if I didn’t even bother to drop ten dollars (or even less at discount prices), it is not something worthy of my list anyway. Here is how my list broke down by the numbers.
Artists with Multiple Albums
Dave Matthews (Band) – 5
Jack Johnson – 4
John Mayer (Trio) – 4
Ryan Adams (and the Cardinals) - 4
Alicia Keys – 3
Coldplay – 3
Danger Mouse (Gnarls Barkley) – 3
Kanye West – 3
Michelle Branch (The Wreckers) – 3
The Roots – 3
U2 - 3