The Grammy Awards are always the best award shows of the year just because of all the great performances even if it is an off year for music. But a funny thing happened at this year’s Grammy, it was almost as if I programmed it. I loved almost all the performances (who invited Justin Timberlake, I hate when people who are not nominated get to perform unless they are a legacy artist; plus I do not see Suit and Tie getting nominated for anything next year) and it is almost as if I did the nominating. Sure I could nitpick that Call Me Maybe was nominated for a songwriting award or how Norah Jones was shut out despite releases her best single of her career, Happy Pills. But for the first time I actually endorse every nominee in the most prestigious category, each made my list of The Best Albums of 2012 (or 2011 thanks to the Grammy’s wonky eligibility rule). Usually one (or four) stinkers sneak in, somehow Lady GaGa was that past three years. Since it seemed like this year’s Grammys were geared specially towards me, I have a feeling the ratings will be way down and they will be back to nominating unworthy artists next year (maybe Suit and Tie will get a nod... or five), but I definitely enjoyed this year. Here are some thoughts on last night’s festivities.
- We may be witnessing the downfall of Taylor Swift, her performer, the carnival meets Wonderland meets Marionettes meets Marie Antoinette was way too much. Hopefully Red is her Pop and she will go back to basics with her next album like U2 did with All That You Can't Leave Behind.
- Of course ADELE won the first award, after the great ratings of last year, the show want to continue that even if a live performance off a DVD is a bit cheap way to get nominated. But then again it was not like there was much competition in that category.
- When Fun. performed at the nomination special I figured they would not get invited to the big show because they already burned off their best song. But they did get to perform and we were stuck listening to the fifth best song off their album (same goes for Maroon 5).
- I think the suits Miguel and Wiz Khalifa were wearing broke my HD. And of course they went on to announce the Best Country Solo Performance.
- A couple weeks ago someone pointed out to me that We Are Young is a song about domestic abuse ("My seat's been taken by some sunglasses asking 'bout a scar, I know I gave it to you months ago") I it is weird listening to it ever since. Even weirder is a song that may be about domestic abuse won a songwriting award.
- It was jarring seeing Mumford & Sons perform with an electric bass instead of their trademark stand-up bass. And what was with three of them being clean shaven?
- Best acceptance speech of the night, maybe ever: "I would like to thank the swap meet for his hat." - Jay-Z.
- I really like the aesthetic of the two The Black Keys, but I would like them to make a full band album at some point, preferably with Danger Mouse producing.
- After every review mentioned The Police, of course Bruno Mars had to bring in Sting for his performance. But I wish the Bob Marley part was much longer.
- I am not sure if there is such a thing as male groupies, but if there are, I am thinking about becoming one for the chick from the The Lumineers.
- Do someone slip me some acid or was Carrie Underwood's dress changing shapes and colors?
- How do you invite Prince to an award show and not get him to perform? This may have been the best awards in recent memory, but not getting Prince to sing was an epic fail.
- I guess it should go down as a successful Grammy awards because Chris Brown made it through an entire night without punching anyone.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
The Black Keys have released some pretty awesome videos in the past, but released a straight forward (i.e. boring) video for Gold on the Ceiling featuring road footage. Then a couple months later this happened and I have not been able to sleep since. This is some serial killer type ish.
Didn’t Coldplay already do the fake trailer for one of their music videos from this album already? I think I would actually like the fake elephant movie better.
Just last week I scratched my head at the random dropping of the latest Kanye West video, and a day later he released yet another video from his album with Jay-Z months after the single was released (and a week after used in The Great Gatsby trailer) featuring people raging against, um, who knows. Check back next week to see what better late than never Kanye releases.
If the new Kanye-Jay-Z video is not enough violence for you, here comes fun. Ironically last week while watching the Hatfields and Mccoys miniseries, I thought to myself, “Self, do you know what this needs: an indie pop soundtrack.” Thank you fun. for giving me that visualization. But unfortunately they did not go fully into historical accuracy because there was no crappy auto-tune during the Civil War.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
I am not sure what this whole Hunger Games thing is or what the video has to do with it, but Taylor Swift should seriously consider hiring The Civil Wars as her permanent backing band.
Note to self: next time a video comes with an epilepsy warning, do not watch it. I am going to be seeing a kaleidoscope version of The Throne every time I close my eyes for the next couple days.
Before I get into my favorite songs of the year tomorrow, let’s look at some the songs that made up your soundtrack to 2011. If you didn’t send in your list year, hopefully next year you do so and you can see more of your favorite next year. Also congratulations are in order to Jay who won an Amazon MP3 gift card just contributing to this list. I should have that sent out to you by the end of the day. And thank you to everyone who participated
If you interested in buying any of the albums below, click on the album title to go to Amazon and the artist name to download it in iTunes. Also check out my original album reviews in the link under the album where for those I reviewed.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
When I hear Kanye West, Jay-Z, and Spike Jonzes together I except something legendary, but this may not even be a top ten video of the year let alone of all time. But I have been thinking lately where exactly does the Otis Redding sample ranking in the all time rap samples category. I may have to start doing some research, look for a list sometime in the next five years.
Did someone not tell the Red Hot Chili Peppers that when you do a rooftop performance that it is supposed to end with the cops shutting you down? But that is a funky bassline from Flea but I cannot say the same for the new guitarist. Or Anthony Kiedis‘s mustache.
And the award for most random Supergroup award goes to SuperHeavy featuring Mick Jagger (in the pinkest suit that I do not think even Elton John could pull off), Dave Stewart, Damien Marley, Joss Stone, A.R. Rahman (you may know him better as the guy who did the Slumdog Millionaire Soundtrack). It was if Mick put his iPod on shuffle and decided to ask the first four people that popped up to come into the studio with him. Hopefully Eric Clapton does the same because I would love to hear his collaboration with Mandy Moore, Babyface, Q-Tip, and Willie Nelson.
Last week Cee-Lo had Urkel lip-syncing his words and this week Raphael Saadiq saw his Urkel and rasied him an Abed. Kimmy Gibler better get her agent on the phone.
Jay-Z and Kanye West first teamed up when West produced Jay’s Izzo off the original Blueprint album and the decade long partnership saw West produce at least one track on all of Jay’s albums since while Jay has jumped on multiple of Kanye’s songs. This included four songs recorded for West’s recent My Beautiful Dark Twisted Fantasy, two that made the album, two relegated to the free G.O.O.D. Friday downloads on Kanye’s website.
The duo parlayed that output with a new group The Thone and the appropriately titled Watch the Throne album. If you forget the album title, do not worry, Kanye mentions it in about every other song. The collaboration continues that pattern of both rappers embracing indie rock, Justin Vernon (aka Bon Iver), who was all over Fantasy contributes to one song on Throne. And it is also felt right off the bat with the menacing No Church in the Wild featuring an auto-tuned Frank Ocean, despite Jay declaring its death just two years ago. Ocean (no relation to Billy) also shows up for a heartfelt chorus on Made in America (which may or may not be a epilogue to West’s Who Will Survive in America that closed out his last album).
It is not all doom and gloom like their last solo albums; the duo goes old school, really old school, on Otis, which has less to do with the late singer than the pair trying to out-boast each other. Jay-Z starts things off by trying to convince us that he invented swag (a reanimated corpse of Frank Sinatra may have something to say about that) while Kanye thinks he is going to have a get out of hell free card because he performed Jesus Walks. Even with all that over the top braggadocios, the true star of the track remains the Otis Redding sample of Try a Little Tenderness that overshadows the two rappers and is automatically in the discussion of greatest use of a rap sample of all time. OF ALL TIME!!!
If Try a Little Tenderness is the best sample on the album, the weirdest goes to Will Ferrell, no, not Anchorman, or even Ricky Bobby, but (Expletive Deleted) in Paris lifts lines from the ice skating comedy Blades of Glory and Kanye places them over Dr. Dre style staccato beats. Really, the production is the all-star on the album. RZA flips Nina Simone’s Feeling Good into a haunting chorus on New Day. West and Q-Tip create some fuzzy drums out of the classic sample Apache from the Incredible Bongo Band for That’s My (Expletive Deleted) and is taken to another with a chorus from La Roux’s Elly Jackson. While Swizz Beats makes the most out of a weird “la la la” chant for Murder to Excellence. It is a shame the rapping does not live up to the production. Even the usually quoteworthy West seems to be overwhelmed to trade verses with his mentor Jay-Z who has been living mostly off of great production since his unretirement.
miniseries, I thought to myself, “Self, do you know what this needs: an indie pop soundtrack.” Thank you 
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