When HAIM released their last video I said they should never not dance in their music videos, though country line dancing was not really what I had in mind.
Killer llamas may have been more entertaining if it was not in super slow motion. And it was not until the end before I realize, didn’t Kanye West do this already but with a hot model and not farm animals? Is Fall Out Boy really parodying a decade old Kanye West video I barely remember?
There was no pre-ad roll before I watched this Lady Antebellum video on YouTube. I bring this up because about ten seconds in I was looking for the Skip This button because that opening was mostly boring. And really, the video’s plot did not make much sense. Unless it continues but I hate music videos that are to be continued.
I remember a couple years ago Jay-Z tried to make a big deal about being the first new music video of the decade. Except no one really cared because no one ever bothered to watch Carson Daly's New Years Eve show. Taylor Swift is trying the same thing with the second half of the decade. Granted it was technically the last music video to premiere in 2015, but whatever. The song itself it pretty meh, but what would you expect sixth single from an album that only had two great songs. But this is the second mediocre song in a row that Swift spent late nineties type money on for a music video (somebody better be making some money for making me sitting through that horrible Natalie Dormor horror movie before every video I watch). I wonder if people are starting to make money on music video or is it basically only Taylor and Adele that are making any money. I just wished she had gone full Evil Dead during the muddy forest scene.
Speaking of overpriced music video from the late nineties, Fall Out Boy pay, um, homage(?) to *NSYNC in their music video (which begs the question whatever happened to Kim Smith?) and boy you can tell just how less money they spent on it compared to the original with really bad doll make up. They were able to even recruited on N'Sync member who was already referred to as Fat Spice back in their heyday and looked to have not stopped eating since. But was there a second member at the beginning, my goodness, Adele smashing their single week record is not treating these guy very well. Do not expect a N'Sync Cochella reunion anytime soon. And those she only has one song that does not suck massively, Demi Lovato actually kind of works as a backup singer.
Flip and Rewind - Boss Selection featuring Rashida Jones
One more nineties throwback. Rashida Jones has recreated some of her favorite RnB music video from the decade. I am old enough to recognize them but am too old to actually remember what half of them are. TLC's Baby Baby Baby is obvious, and Mary J. Blige's Real Love in also fairly easy but I am hard pressed to place the other. Xscape? All-4-One maybe? Are the mustard suits from Heavy D and the Boyz? And for those scratching their head as to why Rashida Jones is getting into music, just remember she got her last name from father Quincy as in the guy who produced all the great Michael Jackson records. Boss Selection is actually the stage name for Sunny Levine, Quincy's grandson and Rashida's nephew.
Lazerus - David Bowie
I actually wrote most of this post last week but did not finish it in time to post it before the weekend. Originally I started off by making a poor attempt to tie this into nineties nostalgia before mentioning how this video reminded me of Metallica's One. But David Bowie ended up passing away before I did post it. So instead of the poor jokes I originally made, let me take this time to celebrate his life. As a child of the eighties, I first learned of Bowie due to his cheesy Let's Dance phase (Modern Love being my favorite), which of course every five year old loved, so I did not realize until much latter how embarrassing that video with Mick Jagger was (or the rumors surrounding them). I did not get into his older stuff until high school when he hooked up with Trent Resnor on an album and realized just how weird he was and was much closer to what he was like in the seventies than what I grew up with. But maybe the most lasting memory I have of Bowie is when he opened The Concert for New York with a sparce cover of Simon and Garfunkel's America before launching appropriately enough into Heroes in front of the brave men and women who risked their lives on 9/11. Friday, Bowie released what turned out to be his last proper album Blackstar on his birthday which will will go down as one of the haunting final album like Johnny Cash's American albums.
Before I even heard the new Rihanna song (I had to wait because, though I may subscribe to a streaming music site one day, it certainly will not be Tidal where the song had its exclusive premiere) I read an interview with the song's songwriter who cited Born In the U.S.A. This piqued my interest because the Bruce Springsteen song on its surface sounds like a jingoistic anthem, is really dark condemnation of the Vietnam War. Of course Springsteen can bring up darker moments in our history coming from New Jersey, Rihanna, a pop singer from Barbados may be a harder sale. Not only are the lyrics of American Oxygen touch on hardships of the nation, the video double downs on this spanning from the Klan to Eric Garner. But the songs's worst crime is that it just is not very good. But personally I cannot wait until some Republican mistakes the lyrics and using it in their 2016 campaign the way Reagan try to co-opt Born in the U.S.A. I predict Rand Paul.
Uma Thurman - Fall Out Boy
Babe of the nineties are really having a moment, first Michelle Pheiffer gets a shout out from Bruno Mars in the biggest song of the year, now Fall Out Boy has devoted an entire song to her Pulp Fiction dance. This makes me wonder what Kathy Ireland is up to these days. The video is sort of entertaining in a Up For Anything Bud Light commercial kind of way that get tiring easily.
Last month Brandon Flowers released his first single off his sophomore album which was met with a resounding yawn and general, so when is the next The Killers album coming? I do actually kind of like the new single even if it is a bit on the cheesy eighties side of things (the music video only makes it cheesier). It is probably his best solo song yet. Still, I would rather have another Killers album instead.
Catch in the Dark - Passenger
In this week's installment of One Hit Wonder Watch, Passenger had a surprise hit two years ago with the sleepy Let Her Go in a time when radio was only play annoyingly upbeat songs. He followed that up with a faux rap song in the style of Ed Sheeran that failed to gain any steam. He is back with another sleepy song off his second album since the one featuring Let Her Go, but Catch in the Dark lack the instantly recognizable hook that Let Her Go had so it looks like Passenger will be saying in One Hit Wonderdom for a bit longer.
Admission time: I kind of actually like Ariana Grande. One giant drawback is that everyone she collaborates with pretty much sucks massively sans The Weeknd, but I still think that song would be better without him. Finally Grande has released a song without any features as a single (I may have went with Why Try instead). Much like the song, the video is cheesy fun even if I am not entirely sure if that was the director's intention. Speaking of the director who is credited as Max Landis, is he at all related to John Landis, director of possibly the most famous music video of all time: Thiller?
Time Machine - Ingrid Michaelson
Sure Fiona Apple and Zach Galifianakis pretty much did this exact video and did it better a couple years ago (and there are three people in the video I do not even recognize; the dude on the beach and the golfers), but Ingrid Michaelson's indignation every time someone starts singing in her place is still pretty entertaining.
Irresistible - Fall Out Boy
Speaking of video concepts that were done earlier and better, the new Fall Out Boy video reminds me of Hootie and the Blowfish's Only Wanna Be With You but with the ESPN anchors.
Black Bat Licorice - Jack White
Jack White has been making novelty vinyls for years not it is surprising he has not made a novelty music video until now where Black Bat Licorice is three interactive music videos in one which you can watch over at JackWhiteIII.com. Since that is not embeddable, I though I would share this live performance of the song featuring Q-Tip. Yes you read that right.
If it were not for Limp Bizkit’s fifth attempt at being relevant again, Fall Out Boy may have been the most unwanted comeback of the past year. Even worse is they called their album Save Rock and Roll (so when you look at the album, you will see Fall Our Boy Save Rock n Roll) even though they along with their whiney contemporaries destroyed the genre (good riddance My Chemical Romance, the world will not be anticipating your inevitable reunion at Coachella 2020). Apparently the band did not watch the Grammy’s this year which featured Mumford & Sons, The Black Keys, Jack White, and Fun., four critically and commercially successful rock albums, all fight for Best Album.
But I am not a Fall Out Boy hater, a couple of their songs made my Best of the Year lists. Despite the first single My Songs Know What You Did in the Dark (Light em Up) and its pretentious long title the band is known for, Save Rock n Roll is the band’s grown up album. Besides Light em Up, the rest of the album has “normal” titles and less tongue in cheek lyrics (Courtney Love spoken word diatribe on Rat a Tat notwithstanding). This album reminds me a lot of Blink-182’s “grown up” albums, they may have been musically better, but their songs where they would make prank phone calls about sodomy were more entertaining. Same for Save Rock n Roll where the album may sound better, but the most entertaining song is the one that sound most like their older work.
Taylor Swift set up the template for country cross-over success. Hook in that country crowd then slowly creep closer and closer to pop music with every subsequent album until you are making crappy dubstep songs with Max Martin. It look like The Band Perry is copying that blueprint to a T. Much like Taylor did with Teardrops on My Guitar, Kimberly and her brother released a “Pop Remix” of If I Die Young to pop and adult contemporary stations. And that turn to the mass center continues on their sophomore album Pioneer which dips one toe into the country pool and the other in the pop world. The album starts off with their best song to date, the banjo infused Better Dig Two which is as much pop-rock as it is country. They continue to go back and forth and combine the two for the rest of the album, but none of it is very memorable. Maybe the true key to Taylor Swift's successes is dating and writing about douchebags when they inevitably break her heart.
Pioneer gets a on my Terror Alert Scale.
Last year I became obsessed with who the record companies would try to pass off as the “Next Adele.” First out the box was internet lightning rod Lana del Ray who was maybe the most prepackaged “indie” act ever with her devil may care attitude, thin voice, pretentious lyrics that wanted you to think they were much more important than they are, and music that borrows as much from retro sounds as it does modern day hip-hop. Though we never did get a Next Adele (at least until Emili Sandi manages to break out here stateside) you could call Jessie Ware the Next Lana Del Rey but Jessie comes off much less pretentious, less annoying and has a slightly better singing voice. The music is still draped in as many rap references while it borrows from music from the sixties (Wildest Moments is the best here which will grow on you with every new listen) but most songs come off as a little too sleepy and boring. But that is what makes her debut Devotion a great bedtime album, whether that is a good or bad thing may depend on how much Ambient you take on a monthly basis.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
Anna Kendrick has to be the surprise hit of 2013, who would have guessed that a song from an a capella movie by one of the amateur actresses would rise up the Billboard charts. And it became such a big hit, it warranted a music video, complete with a “pop remix” that does not even to tie into the movie. And just when you almost had a grasp on how to do the cup thing yourself, now you have to figure out how they got an entire restaurant to do an entire routine in one take.
So apparently the weird torture music videos from the new Fall Out Boy album is trilogy. Although we still do not know how the band gets into the back of the van or how 2 Chainz ties into the last two videos, so there may be more. Ugg.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
A couple weeks ago on Community, Chang Kevin revealed some Memento-style tattoos which made me wonder why the show never did a full Memento homage, telling a story backwards. Really no one has tried the telling a story in reverse until the Yeah Yeah Yeahs latest music video. You would think it would be more popular type of storytelling than it is. On a side note, Lily Cole should be a bigger star than she is.
When watching their comeback video, I was thinking to myself, I really wonder how Fall Out Boy got in the back of that van, well now I know. Okay, I did not really care. And how do you do a prequel without 2 Chainz?
Rilo Kiley recently went on hiatus, possibly a permanent one depending on which member you ask and when you ask it, but if this is the end, the band is cleaning out their vaults for a album full of rarities including this catchy track which is good enough that it could have made one of their proper albums.
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
This seems like a combination of R.E.M.’s Everybody Hurts (minus the subtitles) mixed with Wax’s California (minus the burning man) but I wished there were more of The Lumineers in it.
I am not sure anyone was clamoring for a Fall Out Boy reunion but here it is (it is more welcome than the second or third Limp Bizkit reunions). Laughably they are titling their upcoming album Save Rock n Roll as in, Fall Out Boy Save Rock n Roll. Um, apparently they missed the memo that the genre was already saved but The Black Keys, Mumford & Sons and Jack White (I guess they skipped the Grammy’s). In fact they, and all the horrible whiny emo boy bands that followed were the reason rock n roll needed saving. And despite only sporting a singular chain, I am told that is 2 Chainz in the video. Too bad George Michael beat Fall Out Boy to the burning memorabilia on film by twenty-five years.
Just when you thought emo was dead and buried, Kanye West of all people made an album that rivals anything My Chemical Romance did in terms of whiney nonsense. Aside from Kanye’s lovelorn 808’s and Heartbreak the only other big emo albums released this year are by band that really are not that emo other than their penchant for eyeliner and tight leather pants.
Yeah Fall Out Boy started the trend of absurdly long song title that seem to go away in between Meatloaf albums and features more punctuation than daytime PBS shows. But there songs tend to be chipper especially compared to other bands that broke on the Warped Tour over the past decade. The Boys would like you to think they don’t care (as heard on the first single off Folie à Deux) but their problem is they care too much.
This is most evident on the opening song, Disloyal Order of Water Buffaloes, song that could have been up their with othe rwannabe The Who rock anthems but they end up ruining by trying to hard to add too much too the song, specifically for the song with the silly chanting of “Detox just to retox” at the end of the song. And that goes throughout the album where they take a perfectly catchy song and tinker too much with it to the point the four lines Elvis Costello sings on What a Catch, Donnie comes and goes without you even thinking it was him.
Then there are The All-American Rejects who have been thrown in with the emo crowd despite sounding more like a band on the Sunset Strip in the eighties than My Bloody Valentine. And like those eighties band, they may not be writing the most profound or musically challenging songs, but they aim to please which they do for their core audience with the addition of sing along choruses like in Give You Hell. In fact most song seems built for audience participation for their live shows.
But three albums in, the latest being When the World Comes Down, you can’t help but think the band has already run out of ideas like the guitars in I Wanna is only like a half a second different than those that start off Swing Swing. The Rejects do add the sweet title track to their repertoire and Catherine and Allison Pierce add some brevity to Another Heart Calls. But it was the lack of change that doomed those bands on The Strip to VH1 reality shows two decades later and if they don’t embraces change Tyson Ritter might be expecting a call form the channel in a couple years.
When the World Comes Down gets a on my Terror Alert Scale.
To say the summer for music was bad would be an understatement. Between Coldplay and Metallica which was released this past weekend, there were no releases to get excited about unless you were a fourteen year old girl (horary Jonas Brothers). Need more proof, check out Tapeworthy’s list of the Best Songs of the Summer. Yeah, sad (but where was I’m Yours?). And fall got a little less anticipated with the recent announcement that U2 has pushed No Line on the Horizon back to 2009. But here is a list of the albums you can plan to give to loved ones for Christmas this year (dates subject to change; click the album name for Amazon pre-order and the artist name to check out them on iTunes). If I left off your favorite artist, let me know in the comments and I will add it later:
You may also expect new albums from, Michelle Branch, Rhymefest, Fabolous, Goo Goo Dolls, Eminem, R. Kelly, Franz Ferdinand, and The Fray. Being Christmas season there is your usual Greatest Hits packages from Bob Dylan, Sarah McLauglin, Christina Aguilera, Switchfoot, Celine Dion, Hilary Duff, Bette Midler, and Tim. McGraw. Then actual Christmas albums from Faith Hill, Tony Bennett, Harry Connick Jr., Elvis Pressley, Kristin Chenoweth, Chris Isaak, Al Jarreau, and The Wiggles.
Then the battle of long delayed album is heating up again between Dr. Dre and Guns ‘n’ Roses. A tie in with Detox for Dr. Dre’s own cognac is scheduled to roll out this fall but no date for that or the album. While on the Chinese Democracy front, one track will be featured on the latest Rock Band game but no set date for the whole album. But cross your fingers because if it does come out this year, Dr. Pepper will give everyone in America a free can.
There have been a couple of videos that have caught my eye lately so I though I’d give them some love since the death of Musical Television left a void for a forum on the art form so here they are courtesy of YouTube. I advise you to watch them before you read my reviews if you don’t want me to spoil things. If you are interested in buying the video through iTunes, click the title link (where available, if not the link goes to YouTube where you can watch the video in full screen). If you are interested in buying the song, look for a link in the analysis.
Alicia Keys in eighties garb and a nightgown? Yes please. But I’m not sure what is more out of place, the inexplicable “2 Weeks Ago” or the for no reason inclusion of the epidemic in Africa. For a not out of place public service announcement check out:
Radiohead tends not to get much talk on the 9th Green on account that I am not pretentious enough to care even if they are letting people download their album for free. But this video does highlight a very serious subject with human trafficking and should get you to thinking the next time you head down to Walmart to buy, well, anything. There are reasons to how Walmart and stores of its ilk can keep there prices so low and it mostly has to do with 70% of their products come from China where employees tend not to get health insurance or anything that resembles minimum wage in the USA. For more information check out End Exploitation and Trafficking.
I was on the fence for this Michael Jackson remake, but after seeing this Fall Out Boy video, I think I may fall into the dislike side. John Mayer was wise to sit this one out. Unfortunately Buster Bluth didn’t follow his lead. What’s sad is I think I can find all the MJ references in the video.
Falling Down - Scarlett Johansson
Instead of using this space to talk about boring the song and video is, I would rather talk about the recent news that Scarlett Johansson is engaged to the dude from Two Guys, a Girl and a Pizza Parlor. Wait, huh? How did this happen? I know I am not up on the high school gossip of rags like US Weekly, but wasn’t she dating the equaling boring dude from 40 Days and 40 Nights?
There have been a couple of videos that have caught my eye lately so I though I’d give them some love since the death of Musical Television left a void for a forum on the art form so here they are courtesy of YouTube. I advise you to watch them before you read my reviews if you don’t want me to spoil things. If you are interested in buying the video through iTunes, click the title link (where available, if not the link goes to YouTube where you can watch the video in full screen). If you are interested in buying the song, look for a link in the analysis.
And now it is time for the token Before He Cheats retreat. Nice touch getting men in black to do your dirty work. But much like her previous singles, the latest from Taylor Swift is overly catchy. I wonder if her performing in front of the wall of sparks is an homage to Rihanna (she has been know to perform Umbrella in concert including a recent Live in SoHo set for iTunes).
At this rate The Roots will have a video for every song from their album actually drops, not that I have a problem with that except with ever track, I get more excited for that release date. Birthday Girl sounds like Gym Class Heroes would sound like if they weren’t extremely cheesy while Get Busy is just another instant classic.
Yeah, boring video, but if you like the song, you can download it for free, along with another track off their upcoming Saturday Nights, Sunday Morning, over at their website, countingcrows.com.