Around the Tubes: April 8, 2022

              

I have gotten a plethora of cool press releases have been flooding my inbox recently that you may find interesting.  This post includes blurbs on Crush, Captive Audience: A Real American Horror Story, Dear Mr. Brody, Jack Johnson, The Weeknd, Oh Wonder, and Hayes Warner.

- Premiering on Hulu on April 29, CRUSH is Hulu’s latest Original Film from American High (Plan B, Sex Appeal) and also produced by Animal Pictures.  When an aspiring young artist is forced to join her high school track team, she uses it as an opportunity to pursue the girl she’s been harboring a long-time crush on. But she soon finds herself falling for an unexpected teammate and discovers what real love feels like.

- Captive Audience: A Real American Horror Story premieres on Hulu April 21, 2022.  This is the story of how a story gets told, and how the media’s magnifying glass impacts the characters caught in the narrative. Siblings Ashley and Steven Stayner Jr. never knew their famous father Steven, the child victim of a shocking California kidnapping, who tragically died in an accident when they were young. In 1972, seven-year-old Steven went to school - and never came home. His mother Kay struggles to keep the media interested in the case, and to hold her family together. Then, after seven years, a miracle: Steven returns. The media can’t get enough of the story and frantically descend on the Stayner home - but this isn’t the Hollywood ending it appears to be.

- DEAR MR. BRODY, from Emmy-Winning filmmaker Keith Maitland (TOWER) available On Discovery+ April 28th.  In January 1970, hippie-millionaire Michael Brody Jr., the 21-year-old heir to a margarine fortune, announced to the world that he would personally usher in a new era of peace and love by giving away his $25-million inheritance to anyone in need. In a frenzied few weeks, Brody and his young wife, Renee, ignited a psychedelic spiral of events. Instant celebrities, the Brody’s were mobbed by the public, scrutinized by the press, and overwhelmed by the crush of personal letters responding to this extraordinary offer. Fifty years later, an enormous cache of these letters are discovered—unopened. In this riveting follow-up to his acclaimed TOWER, award- winning director Keith Maitland reveals the incredible story of Michael Brody Jr.—and the countless struggling Americans who sought his help—to create a deeply moving meditation on desire, need, philanthropy, and love.

- Multi-platinum musician Jack Johnson announces the release of a new studio album, Meet The Moonlight, available June 24 through Brushfire Records/Republic Records. The album’s lead single “One Step Ahead” is available today through all digital platforms, alongside an accompanying video. View here.   Meet The Moonlight is available for a pre-order through www.jackjohnsonmusic.com/store and features an exclusive 180g milky clear vinyl.  Meet The Moonlight, Johnson’s eighth studio album and first full-length release in five years, was produced by Blake Mills (Alabama Shakes, Perfume Genius, Jim James) and recorded both in Los Angeles (at Sound City and EastWest) and The Mango Tree (Johnson’s studio in Hawaii). The creation process marks a major artistic milestone from past work, taking shape from a one-on-one collaboration with Mills (whose contributions included everything from fretless guitar to Moog synth to steel drums) and unveiled an intimate and highly experimental process that involved embedding Johnson’s elegantly stripped-back arrangements with enchanting sonic details.

- The Weekend released the music video for “Out Of Time”, the latest single from his critically acclaimed album DAWN FM. The video was directed by Cliqua and features appearances from Jim Carrey, who is also on the song, as well as South Korean model and actress HoYeon Jung. The Weeknd also saw his previous singles “Blinding Lights” and “Starboy” became certified by the RIAA. With these certifications, The Weeknd becomes only the sixth solo artist to reach 3 diamond digital single awards.  Watch the video HERE

- Oh Wonder has today dropped brand new track “Fuck It, I Love You” – the second preview of upcoming album 22 Make, which will see its release on Republic Records on July 22^nd and follows the beautiful single “Magnificent”. The band’s huge run of global dates begins this week and includes a homecoming show at London’s Brixton Academy on April 21^st.  “Fuck It I Love You” is piano-driven pop at Oh Wonder’s finest, a bridge in many ways between the worlds of accompanying albums 22 Make and 2021’s 22 Break. It was written way back in the summer of 2020 and represented a glimmer of hope for the couple, then in the throes of what seemed like the end of Oh Wonder (and Anthony and Josephine’s relationship). “We clung to the demo for months, secretly hoping that we’d get to release ‘Fuck It I Love You’ in happier times. It was almost like the song was telling us that we couldn’t break up and disband because it needed to be released. It probably kept us together!” Now though, adds Josephine, “We’re struggling for a non-explicit version.”

- Hayes Warner has unleashed the video for her latest single, “Messy.” The song is a slow burn f-you to a careless partner who posted pics of a new romantic interest before her wounds even scabbed up. Here, Warner writes with visceral and evocative emotionality—sharing the full range of her emotions honestly while also weaving in a story arc of what exactly went down. At times, Warner sings from tender heartbreak, and, at other times, she lashes out with empowered rage. The song’s rugged beat, woozy atmospherics, and ultra-catchy-but-melancholy hooks hit like a ballad banger. Warner’s video for “Messy” is an intimate portrayal of post-breakup rituals. It’s haunting, heartbreaking, and at times, kind of hilarious. 

57 Channels and Only This Is On: April 3, 2022

 

Killing Eve: They really waited way too long to give an origin story of The Twelve to get me to care. And I really do not know why the cvzy French assassin was luring fireman to kill them.

 

The Walking Dead:  So we can now conclude why Stormtrooper Daryl comes to confront Maggie, and and her crew killed a bunch of other Stormtroopers because they killed some of Negan’s people for thinking they stole their weapons, but it turned out Daryl’s ex-girlfriend stole the weapons.  Well, that is complicated.  I still think Daryl is going to side with Maggie.  As for the other Daryl storyline, if the son got caught off and needs the money in the safe to keep his control, how were the Stormtroopers doing  his bidding if he had no money?

 

Billions:   So this very swanky resort has some zen chamber that flashes lights at you, but that chamber has a window letting natural light in and an open waiting room where the next guy can be heard talking on his phone.  How does this chamber not have its own sound proof room? This was a pretty cheap plot devise to inspire Chuck to rededicate his like to taking down douchebags.  And was Taylor really asking out the bland underling?  I took it as Taylor thinking about leaving the whole company, not just the party.  Then the bland chick is showering at Prince’s. Huh?  Being this is the tenth episode, I just this week remembered that Billions still does 12 episodes a season, and with this being such a filler of an episode, maybe it would be best if the show downgraded to 10 like most other shows from this era.  Or, like other shows from this era, not run on forever.

 

Super Pumped: The Fight for Uber:  I was beginning to worry with no Pearl Jam last episode, but we finally got another song for the end credits.   Speaking of music, as weird as it to have Pearl Jam and other 90’s alt rock song primarily soundtrack a show that took place last decade, it almost make ]s sense given Travis’ age, but much weirder to have an Olivia Rodrigo song that is half a decade from being released when that scene takes place.  But of all the actors they could have gotten from Billions to be on this show, she may have been the worst choice.  She is just so monotone it is hard to root for her.  Plus, as I said before, it is hard to take the commentary on the boys club at Uber seriously coming from a writing team that has their own boys club accusations hanging over them.

 

Snowpiercer:  I still do not understand Melanie’s motivation.  What would it hurt to look and see if the Horn of Africa was habitable?  If not, just keep going.  But I was wrong the writers just did this to make her the new antagonist for Layton, instead she turned on Wilford and agreed to split the train and let everyone decide which track they wanted to go.  Huh?  I thought Snowpiercer needed Big Alice because it no longer could produce enough heat like at the beginning of the season.  Then what was that thing at the end?  At first I thought it was a flare, maybe set off by Layton to let Melanie know that it was safe, but then it froze and kind of looked like a missile.  Could that be where Wilford went off to?

 

The Girl from Plainville:  This show is paced weirdly.  I really do not like that they started with Conrad’s death and then set up a duel timeline in the second episode.  With the two timeline, it makes it hard to tell when they are because there are no physical cues to Michelle, you just have to wait to see if Conrad is referenced in the current or past tense.  It really wished this show would have been more linear.

 

Moon Knight:  I came into this show with low expectations so I actually kind of enjoyed the episode.  Plus Ethan Hawke was giving me big Vigo the Carpathian vibes.

 

Survivor:  Why did they show us that Tori eventually finds the dumb phase advantage if they are going to send her to two Tribal Councils with an edit making it like it was her or someone else going home?  Well, of course Swati was going to be the one who goes home.  But that is three Tribal and three people using their Shot in the Dark.  And the third person to not get saved.

 

The Dropout:  Okay, that scene with lawyers at the newspaper was great.  Always nice when you can toy with lawyers.  I have been trying to avoid spoilers, but I will be really interested if the other lawyer scene with the Shultz family actually happened.

 

Halo:  The first episode was a bit of a bore.  They really should have introduced Bokeem Woodbine last week, because he may be the only interesting character on the show.

 

Big Sky: So there is someone selling tainted drugs onder the Indian’s noses?  Who could it be?  It kind of has to be the local drug dealer guy.  Unless they tie it into the storyline with Wolf and Ronald and the sex traffickers are also trafficking drugs.