
Nikka Costa's new album, can'tneverdidnothin', is a dance romp for anybody who spends more time in the club than they do in the classroom. It packed full of funky beats that will make Dr. Dre and Prince jealous. The album starts of with a one-two punch. Till I Get To You, the first single that hopefully you picked up last week when iTunes was offering it for free, is a bouncy song that is just as catchy as her breakout song, 2001's Like a Feather. Next is the title track, which is just as danceable and fun as the previous track.
The album does slow down in a few places, sometime with better results than others. I Gotta Know is a heartbreaking love song about a girl hoping to find out her boyfriend's feelings are still as strong as her's. Hey Love, another slow gem, is also a lovelorn song that tries to help a lover out of his funk. Where Costa slows down that fails is the closer, Fatherless Child, which actually slows down too much to the point you may fall asleep while listening to it. (In actuality, there is a very good bluesy hidden track, I Don't Think We've Met, that ends the album.) Another misstep is when Fooled Ya gets to the chorus, it's just overkill for the song, had she cut that out the verses would make up a good song.
Also on the album is the rocking On and On. The song sounds like as if AC/CD tried to make a danceable song with a female singing lead. You can almost hear Back in Black if you listen hard enough. But the highlight of the entire album is the excellently titled Funkier Than a Mosquito's Tweeter (I'm not sure exactly how the title got pass the censors). The tribal song is decent, but I just enjoying saying Funkier Than a Mosquito's Tweeter.
can'tneverdidnothin' gets a
on my Terror Alert Scale.


on my 

on my 

on my
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5. Which one of these is not like the others? Three minute pop songs, little violin and saxes, Glen Ballard; all this adds up to not your typical DMB album. It's safe to say that this album scrapes the bottom of every DMB fan's list. It almost plays like like a Dave Matthews solo album, except Dave's real solo album is better than this. But there are some good songs here, When the World Ends grew on me after it originally pissed me off that it ended abruptly. I at first thought my CD was defective. It wasn't until I heard the song live that I realized "When the world ends, and the world ended before the song ends."
4. The first half of
3. The reason why the Lillywhite Sessions was excluded from this list is because, for all intents and purposes, they are essentially the same album. And since most songs were salvaged from the pre-Everyday Littlywhite Sessions (check back later this week for a DMB history for an explanation),
2. Surprising that my deep hatred for Alanis Morissette, who appears on two songs, didn't put
1. The album that started it all, at least for us who live outside of the southern east coast. It took me a while to be sold on DMB and once I got this CD as a gift, it was hard to bet out of my CD player, and still gets heavy rotation even today. Definitely more upbeat than Before These Crowded Streets, 
