Tom Petty released a new album today and like his last couple it is good (granted the best new Tom Petty song out today is probably his contribution to Eric Clapton’s The Breeze: An Appreciation of JJ Cale), but he really has not done anything great for almost two decades. The mid-nineties was Tom Petty’s “weird period” (which was pretty weird because he has always been slightly left of center for classic rock acts) which ended with his album that served as the soundtrack for She’s the One. Maybe these songs got lost because it was a forgettable movie (Ed Burns wrote and directed the well received indie flick The Brothers McMullen and was given a bigger budget for his follow up with big name stars like Jennifer Aniston and Cameron Diaz and a soundtrack by Petty but made about as much money as his indie debut; since then Burns is forever the fourth lead in dramas but still occasionally makes indie flicks that you probably have never seen or even heard of). The standout on the soundtrack is Walls, a Phil Spector-ish song deep in layered vocals and a wall of sound (but no Indian influence despite the music video theme). After another straight rock album that was released today that was just okay, maybe Petty should get into another “weird period.”
Tuesday, July 29, 2014
Feed Your iPod: LXXXV: Walls (Circus)
Tom Petty released a new album today and like his last couple it is good (granted the best new Tom Petty song out today is probably his contribution to Eric Clapton’s The Breeze: An Appreciation of JJ Cale), but he really has not done anything great for almost two decades. The mid-nineties was Tom Petty’s “weird period” (which was pretty weird because he has always been slightly left of center for classic rock acts) which ended with his album that served as the soundtrack for She’s the One. Maybe these songs got lost because it was a forgettable movie (Ed Burns wrote and directed the well received indie flick The Brothers McMullen and was given a bigger budget for his follow up with big name stars like Jennifer Aniston and Cameron Diaz and a soundtrack by Petty but made about as much money as his indie debut; since then Burns is forever the fourth lead in dramas but still occasionally makes indie flicks that you probably have never seen or even heard of). The standout on the soundtrack is Walls, a Phil Spector-ish song deep in layered vocals and a wall of sound (but no Indian influence despite the music video theme). After another straight rock album that was released today that was just okay, maybe Petty should get into another “weird period.”
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