A Little Bit of Summer Is What the Whole Year’s All About

Each previous John Mayer album had a definite musical theme. Room for Squares was his pop album. Heavier Things was his soul album. Continuum was his blues album. Battle Studies was his crappy concept album about dating Jennifer Aniston. While last effort Born and Raised was his folk album. From the first listen of Paper Doll, the first single off of Paradise Valley, it sounded like John may be going back to his Heavier Things days with its more experimental guitar sounds against a lazy track. But as it turns out Paradise Valley is essentially a sequel to Born and Raised released just fifteen months prior, complete with the same producer, Don Was, with a few exceptions.

The most fun part of a new Taylor Swift album is trying to figure out which song is about whom. The biggest gimmie on any album was Dear John, a not at all thinly veiled reference to Mayer and John was not at all happy, essentially calling it bad songwriting to be so obvious. Maybe John has changed his tune or thinks he is more clever because it is hard to hear Paper Doll and not think of Swift especially the lie about being “22 girls and once” considering her last album featured a song entitled 22. Even more directed is Dear Marie which sounds like John trying to reconnect with a high school crush. But then again, who really cares about some chick that he went to high school with.

Musically Paradise Valley is akin to Born and Raised, but thematically, the two are much different. The last album saw Mayer wallow in his own sorrow of bad press (from the Swift break up to his racist genitalia) where he found himself trying to convince himself that he is “a good man with a good heart.” Apparently Mayer is done with the whiskey to dull the pain because Paradise Valley is a much more cheery affair. Album opener Wildfire is a rumbling jaunt. After an album hiatus, Mayer brought back a token cover song. This time around he reworks Call Me the Breeze by J.J. Cale, a song even more poignant after his death last month. But the song is still a great driving down a country road kind of song.

Mayer has long collaborated with other musicians only his albums but Paradise Valley is the first time he lets other singers take over the vocals. First up is girlfriend Katy Perry for the duet Who You Love where the two mixed matched pair try to explain their relationship to little avail. It is clear why Perry just sings cheesy pop music because her voice is just not suited for more serious material and just makes Mayer come off as cheesy. Frank Ocean shows up on Wildfire. No, not the opening track, there is another song of the same name as track number eight. In true Frank Ocean fashion, his Wildfire, the song only features his voice, is weirdly beautiful and has no connection vocally or musically to the Mayer version aside from having the word “wildfire” in it. After Mayer appeared on Ocean’s debut and Ocean appears on Paradise Valley, one has to wonder if their singer-songwriter version of Watch the Throne is next for both of them.

Song to Download – Paper Doll

Paradise Valley gets a on my Terror Alert Scale.