There have been a couple of videos that have caught my eye lately so I though I’d give them some love since the death of Musical Television left a void for a forum on the art form so here they are courtesy of YouTube. I advise you to watch them before you read my reviews if you don’t want me to spoil things. If you are interested in buying the video through iTunes, click the title link (where available, if not the link goes to YouTube where you can watch the video in full screen). If you are interested in buying the song, look for a link in the analysis.
Every new Kanye West video has become a major event almost like when you ran home from school to catch the latest from the likes of Michael Jackson which MTV would air hourly for the entire day. But I haven’t decided if his latest, directed by Spike Jones of all people, is a case of him being too high concept or not high concept enough. And yes, the video was supposed to stop like that and no, there won’t be a sequel or any further explanation (or so ‘Ye would have us believe).
It has been awhile since I took the record industry to task, but this may be up their as one of the dumbest. So R.E.M. has a new video out except you can’t embed the video from YouTube. Yet there is a site where you can edit the video at Supernatural Superserious and upload your version to their YouTube page. Except you can embed those (one of which is above) using the same song and much of the same footage. Seriously, why allow one but not the other? But anyways, the song reminds me of something circa the Monster era which coincidently was the last time I was really big into R.E.M., that’s not to say they haven’t has some great songs since.
This video from Vanessa Carlton hopefully brought to you from Purell.
If there ever a reason not to let a seventeen year old borrow your camcorder, here is the directorial debut from Taylor Swift. And is she really doing the Soulja Boy dance in the video? It may be time to raise the minimum voting age back up.
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