I Want to Stay in Love with My Sorrow

There have been a few changes in the band Evanescence since the releases of their six time platinum debut Fallen. Okay maybe a few changes is an understatement with the perceived musical leader in the group, Ben Moody, lived up to his last name by quitting the band mid-tour only to spend his time working with the likes of Avril Lavigne (Nobody’s Home), Kelly Clarkson (Because of You), and Lindsay Lohan (Fastlane). Then during the recording of the new album, The Open Door, Moody’s replacement, Terry Basamo had stroke. And if Amy Lee’s professionally life wasn’t in such disarray, her ex-boyfriend went into rehab just days after the release of the album’s first single Call Me When You’re Sober taking out any debate on whom the song was about.

But as Fleetwood Mac and their massive hit Rumours have told us, sometime turmoil can sometimes be turned into a critical and commercial success. Granted they stayed together through all of that turmoil. The blessing and the curse of The Open Door is that is sounds much like Fallen. It is a blessing because it redeems Amy Lee after many people thought that the band would fail because it was believed that Moody was the driving force behind the band. The curse though is, well, it sounds too much like what they have already down and very little growth on the new album. But some points should be awarded for not retreading the nü-metal pseudo-rapping in their first hit, Bring Me Back to Life.

Despite the familiarity of the songs, Sweet Sacrifice could be called Going Under II, the album is definitely front-loaded as the back half at times make you look at how much time is remaining wondering how much longer will the album will go on. But Call Me When You’re Sober is the band’s best non-power balled as it takes the best parts from Bring Me Back to Life and surrounds them with striking piano chords and biting lyrics that could send any scorned ex-boyfriend into rehab. Then there is Lithium (not to be confused with the Nirvana song) which tries to be this album’s My Immortal, but fall short of it’s predecessor’s emotion. Same with the album closer Good Enough which just features Lee on the piano. Even the Millennium Choir shows up on a few songs much like that last, but by the time they show up, the album has already become old hat.

Song to Download - Call Me When You’re Sober

The Open Door gets a on my Terror Alert Scale.