If you are lucky, about once a decade a movie comes out that as if the filmmakers are saying, “Hey Scooter McGavin, this one is for you.” That was the case for High Fidelity, a borderlined obsessive compulsive who cases a little too much about music who seems to mess it up with every girlfriend. High Fidelity, this month’s induction into the Scooter Hall of Fame, was a romantic comedy where you were not quite sure if the romance was with the women of the film or the music.
High Fidelity follows John Cusack as he tries to convince himself that his latest failed relationship does not crack his top five most memorable break ups which leads him back to these ex girlfriends to see why exactly things went wrong. (Fun Fact: Justified’s Ava Crowder cracked the top five.) It also does not help that his latest, and possibly greatest, break up it currently shacked up with the hippie version of Tim Robbins.
High Fidelity also marked the breakout role for Jack Black who catapulted from bit player to headliner after the movie. This was well deserved because he stole every scene he was in through the movie as the bombastic employ of Cusack and was the perfect yin to Todd Louiso soft spoken yang. Black even got to show off his singing chops much to everyone’s surprise after every spent the whole movie blowing of his musical ambitions.
But the real scene stealers were the music. You knew from the trailer when Black broke out Walking On Sunshine, this was going to be a special movie and even includes a cameo from Bruce Springsteen. One segment that hit close to home was when a reporter asks Cusack his top five favorite song and he spend the rest of the movie (and a few bonus scenes) editing his choices. This went all the way to the end of the music where I Believe (When I Fall in Love It Will Be Forever) remains one of the greatest credit choices of all time. High Fidelity showed, it does not matter how simple a song is, it is how you interpret it.
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