Previewing Castle Rock

One thing that all comic book adaptation do, whether the show is good or not, is throw out a constant barrage of Easter Eggs for the fanboys to salivate over and make them come back for every episode, myself included. There are very few other things that have enough content to flood a screen with references of their work, but Stephen King is definitely one of them with fifty-nine novels and over two hundred short stories under his belt. And now he is getting an television show based on the amalgamation of his work, Castle Rock.

No, this is not an Avengers type team up where Pennywise will come face to face with Carrie (though the actors who portrayed them in movie versions are actually in the new cast as different characters). Instead, the show is sprinkled with plenty of references to King’s work like the titular city is the setting of twenty-four of his stories and the local prison is named Shawshank. In a measure of full disclosure, I am not the biggest Stephan King reader, so my latter example is one of the few Easter Eggs I got and had to be told of the former.

So I am coming at Castle Rock as a King novice. Sure It scared me as a kid like nothing else did (that forking spider still occasionally haunts my dreams) and most recently I made it through Under the Dome that got significantly worse with every passing episode. Naturally Castle Rock is about a town where dark things happen; scene three features a, um, interesting way to try to kill oneself. A town where all the men from there either work at the state penitentiary, which actually looks like a castle from the outside, or they are currently living there.

The show centers on a prodigal son (André Holland, A Wrinkle in Time) who is a death row lawyer who comes home when a whistleblower informs him an inmate (Bill Skarsgård, Deadpool 2) has been discovered at his hometown prison. And of course both men have mysterious pasts. The lawyer, back in 1991, went missing as a child in the dead of winter only to be discovered unharmed days later. While at the prison, an entire wing is shut down despite overcrowding and, you guessed it, the mysterious inmate has been living in this quarantined wing all by himself for an undisclosed amount of time.

To be honest, the first episode is kind of a bore. Thankfully Jane Levy (season one Mandy Milkovich on Shameless) shows up in the second episode to add some levity to the show but is not there long enough to really get a feel for why the character is there. She just pops up randomly in a church group and asks the lawyer questions the audience certainly wants to know (not that he give a satisfying answer). Weirdly Mickey Milkovich gets more screen time on the first couple episodes as a prison guard than his on screen sister.

Levy also has a job as assistant to the town’s local real estate agent (Melanie Lynskey, The Perks of Being a Wallflower) who may be the weirded of the town folks we meet in the early in the series. She lived across the lawyer as a child and, um, the connection, we learn, gets really weird.

For better or worse, Castle Rock is the general thought of King’s work, really creepy and kind of slow. Despite dying in the third scene, that character may best sum up your typical thought of a King creation with his Verse of the Day calendars stopping on the same verse every year even when the verse was on different days. And lhe leaves of with the most ominous and Kingsian line so far, “I used to think the Devil was a metaphor but the devil was a boy.” The start of Castle Rock may not be great, but it was good enough to hook me in. Granted, so did Under the Dome and that took a creative nose dive in season two.

The first three episodes of Castle Rock are on Hulu today with new episodes every Wednesday.