He Said “John Go Do My Will”

It’s always a touchy subject when releasing unfinished music posthumously. On one hand, you have the desire of fans to get their hands on everything an artist recorded, but on the other, you are hearing the music not necessarily the way an artist wanted you to hear it. But there is a sense of relief that the latest Johnny Cash album, American V: A Hundred Highways that Rick Rubin is at the helm just like the previous four American recording that have been recorded over the past decade. Notice I said latest, not last album as Rubin is currently working on more songs from the sessions for at least another album.

Much of this album was recorded in-between the five months between the death of his wife June and his own and the melancholy throughout the album starting with the album opener Help Me. If You Could Read My Mind is touching considering the context and even though the song isn’t about death and originally done by Gordon Lightfoot, you can’t but think he’s singing to June. As his voice starts to break at the end of song, so will your heart. But it’s not all heartache and loss as he later sings Love’s Been Good to Me.

The last song that Johnny Cash ever wrote and recorded is on this set too. Like the 309 is a bouncy song that is reminiscent of him as a young man hanging out at a train station. Oddly enough the song starts off with the line, “It should be awhile before I see Dr. Death.” As Cash recorded much of these tunes confined to a wheelchair and nearly blind, his own mortality is touched upon elsewhere on the album most notable on the Bruce Springsteen cover Further up On the Road (which was part of the 9/11 inpired The Rising album). The album closes with a rerecording of his 1962 song, I’m Free from the Chain Gang now which takes a whole new meaning after his death and now he’s free after spending his life being the voice of the voiceless and downtrodden.

If there is a downside to American V it would actually have to be Rubin. After single handedly resurrecting Cash’s career by pushing him to places he hasn’t been before musically, this album is pretty safe and sound like an album Cash would have made had he never met Rubin. The only song here that would fit on the earlier American recording is traditional gospel song God’s Gonna Cut You Down where a chorus of hand claps and foot stomps surrounds Cash’s vocals and sounds like a death march. But it’s not for Cash, instead it’s for the, “rambler, gambler, the backbiter” and all other sinners in the world. The rest of the album though sounds almost as if Rubin wanted to take the safe route in creating the music behind Cash’s previously recorded vocals as to not taint Cash’s legacy in turn making them afterthoughts in the Cash musical vault. But with that said, Johnny Cash afterthoughts are still better than ninety-five percent of the music made today.

Song to Download - God’s Gonna Cut You Down

American V: A Hundred Highways gets a on my Terror Alert Scale.