Nobody Wants to Hear You Sing About Tragedy

Just when you thought emo was dead and buried, Kanye West of all people made an album that rivals anything My Chemical Romance did in terms of whiney nonsense. Aside from Kanye’s lovelorn 808’s and Heartbreak the only other big emo albums released this year are by band that really are not that emo other than their penchant for eyeliner and tight leather pants.

Yeah Fall Out Boy started the trend of absurdly long song title that seem to go away in between Meatloaf albums and features more punctuation than daytime PBS shows. But there songs tend to be chipper especially compared to other bands that broke on the Warped Tour over the past decade. The Boys would like you to think they don’t care (as heard on the first single off Folie à Deux) but their problem is they care too much.

This is most evident on the opening song, Disloyal Order of Water Buffaloes, song that could have been up their with othe rwannabe The Who rock anthems but they end up ruining by trying to hard to add too much too the song, specifically for the song with the silly chanting of “Detox just to retox” at the end of the song. And that goes throughout the album where they take a perfectly catchy song and tinker too much with it to the point the four lines Elvis Costello sings on What a Catch, Donnie comes and goes without you even thinking it was him.

Folie à Deux gets a on my Terror Alert Scale.

Then there are The All-American Rejects who have been thrown in with the emo crowd despite sounding more like a band on the Sunset Strip in the eighties than My Bloody Valentine. And like those eighties band, they may not be writing the most profound or musically challenging songs, but they aim to please which they do for their core audience with the addition of sing along choruses like in Give You Hell. In fact most song seems built for audience participation for their live shows.

But three albums in, the latest being When the World Comes Down, you can’t help but think the band has already run out of ideas like the guitars in I Wanna is only like a half a second different than those that start off Swing Swing. The Rejects do add the sweet title track to their repertoire and Catherine and Allison Pierce add some brevity to Another Heart Calls. But it was the lack of change that doomed those bands on The Strip to VH1 reality shows two decades later and if they don’t embraces change Tyson Ritter might be expecting a call form the channel in a couple years.

When the World Comes Down gets a on my Terror Alert Scale.