Last year, around the time U2 was inducted into the Rock and Roll Hall of Fame, I began to wonder why, after twenty-five years of being one of, if not the best band in the world, the band hadn’t spawned a new generation of U2-wannabes. Even newer, and lesser bands such as Green Day and Nirvana have inspired many of the bands of today, but there still are not any new U2’s with only Snow Patrol comes to mind. Well there is now a band, that comes from a surprising source, openly hoping to be the next U2 and that would be former Blink182 guitarist, Tom Delonge’s new band Angels and Airwaves.
Yes, a member of a band best known for being naked in their videos and sodomy jokes in their songs has grown up and there is not a one fart joke on the group’s debut, We Don’t Need to Whisper. Instead the album focuses on the seriousness of relationship something Blink182 had already been moving towards on later albums. But the songs here do lack the faith overtones that seem to soak into a lot of the U2 catalogue.
So if there is a comparison to U2, it would be sonically where Angels and Airwaves builds a wall of sound opposed to heavily relying on the drummer as Blink182 did. The opener, Valkyrie Missile builds up to a crescendo and takes it’s time tapering off at the end much like Where the Streets Have no Name. Well so does The Adventure which highlights the problem with the album, diversity. Most of the songs blend into each other, not noticing where one ends and the next one begins even with spacing in-between and the songs themselves, all of which clock in at over four minutes seem to drag on. Also the choruses of It Hurts and Distraction get old real quick.
It’s a novel idea trying to copy the style of the best band of my generation, but at the end of the day, it still sounds like the dude from Blink182. And the rest of the band, made up of Dave Kennedy of Delonge’s other side project Box Car Racer, Ryan Sinn, formally of The Distillers, and Atom Willard, who has drummed for Rocket from the Crypt and The Offspring, just are not close to the musicianship of The Edge, Adam and Larry, nor have the history the close friends had even before starting U2 with Bono. But at least Angels and Airwaves haven’t run naked through a video yet or uttered a fart joke.
Song to Download - The Adventure
We Don’t Need to Whisper gets a ![Terror Alert Level: Guarded [BLUE]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzCbHfExiuXqojow1zxkBUX6j-9BHg9IyrfzqR77jnja2Xq6dbv-7iiqMFzp_UKXGcUF9FyAHqCkNxa5uitXa5Xu2Q1OboN9-TLjsaeI1a2eoGLORU4vkTQ54l1C-_cZyn81QHyQ/s400/small_guarded.png)
on my Terror Alert Scale.
From time to time, I like to share CD’s I’ve made and one type of CD I like to make is my very own “Best Of” completion. Most Greatest Hits packages leave off some of my favorite songs so I have to make my own. Plus I prefer my Best Of albums to be in chronological order which some are not. This Best Of is from one of my top five favorite artist of all time, The Artist Sometimes Known as Prince. Granted there is only one song from the symbol era. Now I heard a rumor that the Purple One recently showed up on a karaoke show recently, which begs the question: If you are singing your own song that you wrote, is it still karaoke? But anyways. Here are my favorite Prince songs that fit on a single CD (unfortunately there are some holes in Prince’s iTunes library, so that is why I can’t link to some of the songs):
1. 1999 - 1999
2. Little Red Corvette - 1999
3. Let’s Go Crazy - The Purple Rain Soundtrack
4. Purple Rain - The Purple Rain Soundtrack
5. When Doves Cry - The Purple Rain Soundtrack
6. Raspberry Beret - Around the World in a Day
7. I Could Never Take the Place of Your Man - Sign ‘o’ the Times
8. Sign ‘o’ the Times - Sign ‘o’ the Times
9. Money Don’t Matter 2 Night - Diamonds and Pearls
10. Cream - Diamonds and Pearls
11. Gett Off - Diamonds and Pearls
12. Diamonds and Pearls - Diamonds and Pearls
13. 7 - The Symbol Album
14. How Come U Don’t Call Me Anymore? - The Hits/The B-Sides
15. P Control - The Gold Experience
16. Musicology - Musicology
The Best of Prince comes in at 1:16:27. Did I leave your favorite Prince song off? Feel free to tell want songs you would have exchanged in the comments section.
One of the shows that has quickly become must see television has been VH1’s Hip Hop Honors that for the past to years have given props to the genre’s founding fathers with performances by the artists and tributes by rappers of today. So to capitalize on that success, about a month back VH1 announced that is was going to do its first ever Rock Honors. I was a little skeptical when I heard this because, just from a logistical standpoint, it much harder to pull off. All rappers need are two turntables and a microphone. To have the band, and another as doing a tribute, there will be a lot of time devoted for changing between bands. So instead of paying tribute to about eight rappers, all we get are four bands. And those four inaugural bands: Hendrix? Cream? Zeppelin? AC/DC? Well, nope, nope, nope and nope. Here are some thoughts on the first Rock Honors:
- Jamie Pressly is are host most likely because she looks like every woman you see at Ozzfest, well the ones you see backstage at Ozzfest (which I know from experience). The best part of the whole show is when that huge nerd who comments for I Love the (Insert Decade) tells her “My name isn’t Earl, but his is” when he points to, well, Little Earl.
- The first honoree is Queen who performs a couple songs with Foo Fighters and some dude not named Freddie Mercury. Queen was always a little too theatrical for my taste. But anyways. They did do a really cool version of We Will Rock You with three drummers. I seriously doubt that any song will dethrone that song as greatest stadium anthem ever. And even the dude not named Freddie Mercury can’t screw up the song because it’s all about fan participation.
- Next up is Judas Priest who is preceded by having Godsmack do a medley of their songs. Seriously, if it weren’t for Beavis and Butt-head, I probably would never of heard of Judas Priest. And watching his leather-clad performance, you gotta wonder, much like George Michael, how no one figured out Rob Halford was gay. And add this to the previously honored Freddie Mercury; this is turning out to be a pretty gay show. Well this is VH1.
- The All American Rejects are next to pay tribute to Def Leppard with Photograph. This ended up being the biggest of their songs performed tonight.
- I have to say, when I think of rock, the first thing that comes to my mind is the chick from American Dreams. Although I guess it’s only appropriate that she introduces Def Leppard because throughout their career, their main fan base was teenage girls. And I may be dating myself, but whenever I hear that German opening, my first thought isn’t Rock of Ages, but rather Pretty Fly for a White Guy. Then for some reason in lieu of Pour Some Sugar on me they perform 20th Century Boy, the old T-Rex song. Oh, that’s right; the song is part of their new cover album that everyone ignored when it came out last week.
- To honor the final group, Kiss, VH1 assembled an all star lineup that included Rob Zombie, Slash, and Scott Ian, who happens to currently be staring in VH1’s reality show, Supergroup, as well as Gilby Clark and Tommy Lee who will be participating in the next Rock Star incarnation coming this summer on CBS (by the way both VH1 and CBS are owned by the same company). Boy and girls, today’s word of the day is synergy.
- Closing out the show is Kiss. I wanted the best, but all I got was a bunch of extremely old dudes in face paint. I’m not sure what is more sad, the band or the old dudes who still worship them. An anticlimactic end to a mediocre show.
- Hopefully next year they ask for my input on whom to honor. If for some reason you want to see the show, you can watch it anytime on VH1’s broadband channel VSPOT which includes four performances that weren’t even good enough to make it into the broadcast version.
I have a dirty little secret I must confess, I just recently got Paul’s Boutique. As someone who has been called a music snob, you’d think I would have gotten back in ’89 and look down on everyone who overlooked what is widely considered not only the best Beastie Boys album, but the best rap album ever made, but much like the rest of America at the beginning of the 90’s, I was expecting License to Ill 2 and could quite understand the direction they were going in.
Even when I got those songs, I still didn’t pick up Paul’s Boutique until discussing the rap troupe around the release of To the 5 Burroughs and a co-worker of mine asked to borrow my Beastie Boys collection and then chastised me for my lone omission from their catalog (granted, keep in mine that this dude had none). So this exchange finally to plug the hole and the album somehow exceeds all expectations which makes the album this month’s induction into the Scooter Hall of Fame.
Much like every Beastie Boys album, the songs are chock full of enough pop culture references that would make Buffy Summers and Veronica Mars blush even if not all of them are all that popular. Am I the only one who looked up Sadaharu Oh? Also the wordplay is tight with my favorite being the phonetically pronounced “knowledge” from The Sound of Science. But the key to making this the greatest album is all the intertwining samples, roughly four hundred, throughout most of the song from such diverse artists as Chic and Johnny Cash as well as some artist so obscure even I’ve never heard of the. And thanks to licensing fees put in place right after the release of this album, it’s a good bet that Paul’s Boutique will stay on top of the best rap album list for a while.
The songs on the album are some of the group’s best. Hey Ladies is a great transition from the sophomoric lyrics heard on their debut but trade rock riffs for disco beats and a cowbell that even Christopher Walken could approve of. Looking Down the Barrel of a Gun shows you how good the rap/metal genre could be in the hands of real artists. High Plain Drifters showed that rappers could slow things down and still be creditable. And Shake Your Rump should be required be on the playlist of every house party. Or if you are lazy, you can just throw Paul’s Boutique on and everyone will be happy.
Just days after winning the STA for Best Cable Show for the second straight year, Rescue Me is back for its third season. The main problem with the show though is that it has been so long since the second season ended, about nine months, it’s hard to remember what’s going on with Tommy Gavin and the boys, the minute “previously on” segment wasn’t nearly long enough. In fact, I remember watching Everwood the past two weeks wondering where I have seen Andy’s dad before only to watch the season premiere of Rescue Me to realize he also played Tommy’s dad too.
So once everything started to come back to me, Tommy’s kid was hit by a drunk driver who his uncle then killed in retaliation, the chief had to put his wife in a home, the chick firefighter bolted without a way for Franco to find her, Kenny got conned by a prostitute, Garrity got schooled by Tommy’s youngest, and the probie got kicked to the curb by the fat chick, it was time to kick back and enjoy the best drama on television not named Veronica Mars. So a couple months have passed and Tommy’s soon to be ex-wife still hasn’t talked to him as she blames Tommy for Conner’s death. Then to make think worse, for at least little Tommy, is that it looks like Shelia has lost interest too. But that doesn’t stop her for asking for favors like find out whether her son is having sex and needless to say, Tommy doesn’t handle the situation very well but at least there are a few good laughs at his expense. And since he’s been hitting the bottle again, that means the return of his dead cousin who doesn’t care too much on how Tommy’s handling the situation.
The rest of the boys seemed to be put on the backburner this week getting minimal screen time, but were able to up the entertainment when they were there specifically when the boys leaned that the smoking ban in the firehouse was going into effect much to the chagrin to Tommy and Kenny who apparently didn’t get the memo five months ago. Then Kenny finds a video made by the escort that ripped him off that led to some great scenes.
There was some predictability to the episode, so thanks to the preview that revealed who Garrity’s new girlfriend was, and it wasn’t too surprising to me to find out that Janet’s new beau was as I called it about five minutes in. They aren’t the only one’s who will find new love this season as Oscar winners Susan Sarandon
and Marissa Tomei pop up for a couple episodes each. Much like the past two, Rescue Me will likely be the cure for the summertime rerun blues.
Rescue Me airs Tuesdays at 10:00 on FX and if you want to know more about what’s coming up on the show, check out highlights from my chat with star and producer of the show Denis Leary - Tonight the Part of Denis Leary Will be Played by Denis Leary.
Some say there is no such thing as bad publicity, but sometimes that isn’t always true, like, say, when you offend the majority of your fan base and have your records pulled from the radio like the Dixie Chicks did at the start of the Iraq War. Of course that was back in a time where is you were against the president, you were anti-American, and now, a couple years later, even some Republicans have been piling George Bush leading him to the lowest poll numbers by a two term president not named Richard Nixon.
But even before their comments, the Chicks have been alienating country radio by drifting to more bluegrass and pop sounds on their last album Home. That tend continues on their latest outing, Taking the Long Way, as the group even brought in noted rock and rap producer Rick Rubin who had much success resurrecting the career of Johnny Cash with his American Recoding sessions. But unlike the American Recordings, there are no cover songs as the Chicks wrote all the songs on the album with help from artist as diverse as Keb’ Mo’ and Sheryl Crow.
At the beginning of the album, most of the songs seem to focus on the infamous comments mentioned earlier, most notably on the aptly titled Not Ready to Make Nice. So if you think the Chicks have soften on their position on this administration, the title pretty much says it all and they even touch on the backlash with lyrics like, “How in the world can the words that I said send somebody so over the edge that they’d write me a letter sayin’ that I better shut up and sing or my life will be over.” But that theme doesn’t linger long as songs quickly transition into more familiar territory like relationships. Then the album ends with the I Hope, a gospel song that was released last year to benefit those hit by Katrina.
As the Chicks move away from traditional country, they start moving into genre, the best result being I Like It, a song that sounds influenced by the girl group of the sixties. Then there is the album opener, The Long Way Around that sounds exactly like Learning to Fly by Tom Petty and the Heartbreakers but with fiddles. Lullaby is as soft as the title suggest. Baby Hold On hits the emotional intensity of songs like You Were Mine from their first album. Really the only song here that would have fit on previous albums the brilliantly titled Lubbock or Leave It which has that same pure rage as Sin Wagon. Unfortunately some songs on the album suffer from being uneven where the verses are great but the chorus doesn’t hold the intensity or vice versa. This is most apparent on Silent House where the chorus just rubs me the right way.
Song to Download - The Long Way Around
Taking the Long Way gets a ![Terror Alert Level: High [ORANGE]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhebDZ0qqwOVKMZj7oFSUe8Hm3ax54U9Hp1fThJPgiddTyzcdwx_5SV6E3b7hkKyxbaDiym4COmUXT2YJnsKCUjBHI_a2xZtNoY7qFQRslP5AGO5gLkJwn2ZbO0wIF80ycbKrgPPA/s400/small_high.png)
on my Terror Alert Scale.
Much like the STA’s, to be eligible, the show must have had the bulk of the season’s episode between June 2005 and May 2006. So without further ado, here are the top ten best shows of the past year:
1. Veronica Mars 2.x (UPN)
2. My Name Is Earl 1.x (NBC)
3. Rescue Me 2.x (FX)
4. Lost 2.x (ABC)
5. Arrested Development 3.x (FOX)
6. Everwood 4.x (WB)
7. Everybody Hates Chris 1.x (UPN)
8. Smallville 5.x (WB)
9. How I Met Your Mother 1.x (CBS)
10. Survivor: Exile Island (CBS)
Even though Everybody Hates Chris was my most anticipated show of last season, I still doubts about the show as Chris Rock’s previous foray into PG territory were less than memorable (except for the maybe Little Penny ads, but how many people knew that was him). But conventional wisdom would say that say that Rock has always been funny so there could have been a time in his youth when he didn’t rely on profanity so this look back his life could be entertaining at least in a Wonder Years kind of way.
The show, yet still funnier than, say, Head of State, it still doesn’t reach that of his stand up routines, but then again it doesn’t have too because in the scenes that lack laughs make up for it in heart. In an era where all sitcoms feature dysfunction families that hate each other, you can sense the love in the Rock household aside from all the natural sibling rivalries. Even when the family argues you know it’s only because they care and that’s refreshing to see on network television without having to sit through an hour of the should have stayed canceled 7th Heaven.
But it wouldn’t be a Chris Rock project without the discussion of racism and with Rock going to an all-white middle school during the early 80’s, it is dealt with head on. The catalyst of most of it is school bully Joey Caruso who has already used every racial epitaph for black people in the first season, my favorite being Bo Jangles. They even occasionally throw in the “N” word, but this only enhances the realism of what Rock had to go through at the time (keep in mind, even with racial slurred, the show still landed on the Parents Television Council list of Best Shows of this year coming in at number five).
Even though Chris Rock has a good ten years on me, the show almost takes me back to my middle school days complete with the token black student who teachers went out of their way to avoid being racist. And with the early 80’s time period, the show makes for the best soundtrack on television ranging from Eye of the Tiger to Ebony and Ivory. And it was just classic when Rock dressed up like Prince for Halloween. I almost hope that on the show, Rock doesn’t make to high school for a while, because I’m having too much fun laughing at his middle school experience.
Everybody Hates Chris 1.x gets a on my Terror Alert Scale. It also won a STA.
Usually when I write, I do a draft during down time at work, but when I pulled out some paper to jot down some thoughts I just sat there for a couple minutes and stared at the paper before I gave up and pulled out the Newsweek to read. Then when I got home, I fired up the computer, opened up Word and stared at the screen for a while. My writer’s block comes down to my inability to wrap my head around last night’s finale of Lost (click to download Live Together, Die Alone, I know I need to see again). And it’s not that it dragged on like last year’s last episode and it wasn’t as sad as having some old dude being crowned karaoke king (for those keeping track at home, if you are older than me, you, by definition, cannot be an idol).
The show instead had the rare ability to be thoroughly entertaining, suck massively, and be mediocre all at the same time. The good involved what was the lone bright spot of the season, Not-Henry Gale. It all started last week when Michael was given the list of people to bring back to The Others. Yet for some reason only Sayid was the only one to realize this was a trap so he devised a plan to turn the tables on Zeke and the boys. Even though they planned ahead, they forgot that The Others are always two steps ahead and ambushed Jack and the crew before they made it to Not-The Other’s Village.
This lead to the best part of the finale as Zeke, Miss Cleo, and Not-Henry bickered because Miss Cleo and Zeke revealed each others name and Not-Henry yelling at Zeke for not having his beard. Although it’s odd with all their thinking ahead, they would carelessly leave the fake beard and theater glue where it could be found. I wonder if that was left there to be found. The list made a little more sense once Hurley was let go as the remaining people were all there the night when the group went after Michael except that Locke was also part of the search party. Maybe since he wanted to go back was why Locke didn’t make the list. So we are left with Jack, Sawyer, and Kate being led back to wherever The Others’ camp in while Hurley has to find his way back to camp even though he was brought there with a sack over his head and Michael got Walt back and a boat to take himself back to civilization. But considering where Desmond ended up, I have a feeling Michael won’t be making it Fiji or Honolulu.
Then there was the mediocre where the show answered two questioned I stopped caring about a while ago and the both ended up being connected. First we learned what happened when the button isn’t pushed, but when since we already saw the counter hit zero once already this season, it ruined the final payoff. And on that note, Desmond let the numbers hit zero and beyond when he confronted his partner and the magnetic charge that followed turned out to be the thing that brought down the plan. What a letdown. In a show where characters coincidentally intertwine without them knowing, the plane turned out to be an accident. It wasn’t Jack’s not so dead dad. It wasn’t Zeke and his band of merry men. It wasn’t part of the Dharma Initiative. It was simply an accident. Yawn. Then there was the bright light and piercing sound, that for some reason didn’t rattle The Others as they were back to business as usual afterwards and don’t even acknowledge it. And for some reason, the hatch door was launched into the air only to almost land on Claire.
As for the bad, that had to do with devoting two hours to a character we have only met once in the season premiere, granted we saw the one meeting in about four episodes, then promptly disappeared. I fully expected to see Desmond to pop up in other people’s flashbacks throughout this season, but we didn’t see or hear from him until last night. The only problem with Desmond is that I stopped caring about him around Christmastime. How do you make someone we don’t really know the focal point of the season finale? Then after investing two hours on the character, he dies, or at least he thought what ever he did was going to kill him and the worst part is after building up that stupid book all night, he didn’t get to read it. Although I have a feeling he will make it out of there because if he dies, that means that Eko and Locke bit the dust too, and I don’t think they would kill off all three. Plus with the last scene, it would be stupid to kill Desmond off now. But then again I thought it was stupid to kill Libby and the token hot chick when they did too. Did anyone else notice that Shannon’s death was conspicuously absent from the recap show before the finale?
We didn’t, as I hoped would happen, find out the identity of “Him” (See Oddsmakers: Lost: Who Is Him?). Even though Not-Henry was clearly higher in the ranks the Miss Cleo and Zeke, since Zeke pretty much blew off Not-Henry when he asked him why he wasn’t wearing the beard, I still think there is someone bigger out there. We even saw someone in the episode that could be added to the list in Penny’s father. He clearly has the resources and the motivation to keep Desmond on a deserted island.
Other people seen in Desmond’s flash back include Libby who gave Desmond a boat to compete in some competition that led him to be on the island. Libby was also wearing an obviously hideous wig that made me wonder if it was significant. Could losing her husband be not the only bad thing to happen to her, could se had also had cancer? All that bad new could have led her to a nut house. Or did she also pick up the numbers from Leonard and had a string of bad luck after getting out? Of course she’s dead now so I really don’t care anymore. Apparently she wasn’t the only person we have seen before in Desmond’s flashback as the guy who recruited Sayid during Desert Storm turned out to be Desmond’s hatch mate. I only know this because it’s in every review I’ve read. Seriously am I only person that didn’t catch that.
My major problem with Desmond’s flashbacks was the scene with Locke. It was show that Desmond was suicidal and his faith was renewed with Locke’s banging on the hatch. Why, when knowing there was a person out there, go out of the hatch and recruit the guy to help him? He knew it was safe to go outside. But instead he stays put and then seems surprised when people come down the hatch. There was some poor planning with that storyline.
In the end, the finale was much like the second season itself, there were some great parts, some bad ones and some filler. Oh, and did you notice Matthew Fox was one of the Brazilian dudes in the artic station? Yeah, neither did I, in fact I thought they were French. Oh well.
As for Veronica Mars, this week’s episode gave us a chance to see Jackie’s first appearance again. Now with most of the finales have come and gone, I highly recommend that you rent season one if you have yet to jump on the Veronica Mars bandwagon.
With a name like Rock Kills Kid, your band has plenty to live up to. But the band isn’t a thrash metal band, instead on the band’s debut album Are You Nervous? there are syth beats that would have fit in well during the early 80’s. Sound like another “Killer” band? Well so does this album.
To be fair not every song on the album sound like as if it were created a Killers cover band. The throbbing base line that starts off Paralyzed is as innovative as anything of Hot Fuss. But after that it digresses into what would have been leftovers on the latter’s album. Well without the wit and more depressing songs and goes as far as saying “All God’s children are evil” in the aptly titled Life’s a (Expletive Deleted). Um, yeah, enough for escapism in music. Sadly that is one of the more uplifting messages of the album.
When it comes down to it, once you get past the innovative first track, all you are getting is a second rate Killers album but without the entertaining part. Add to that The Killers themselves are basically derivative of 80’s syth-pop bands like New Order and Rock Kills Kid is to that genre what 98º were to the boy band era. Maybe the lead singer of Rock Kills Kid can look forward to a lucrative reality television career in between overlooked albums.
Song to Download - Paralyzed
Are You Nervous? gets a on my Terror Alert Scale.
Many may wonder why, after two successful albums, Michelle Branch would veer into a side project, The Wreckers so early in her career with a virtually unknown, Jessica Harp. It could be to test something new under the guise of a not very well hidden pseudonym as the she steers more to the country side of the radio dial. That’s not to say the two are singing about how tractors are sexy or anything as the duo is in more of the vein of more palatable country artist such as the Dixie Chicks where there are fiddles and banjos but there still a pop ethos to it.
The album, Stand Still, Look Pretty, starts off with the rare break up song that is not to angry and not overly depressing either. Leave the Pieces is a more tranquil look at a failed relationship, “It’s alright, I’ll be fine, don’t worry about this heart of mine.” For those looking for the depressing relationship song, skip forward a couple songs to The Good Kind, “Do you know why I cry, and it’s not the good kind.”
Even though the album could be labeled pop-country, the songs definitely lean more towards the pop end of the spectrum but they get the country flare more from the instrumentation. The only straight up country songs include the bluegrass My, Oh My, a song that could get any hootenanny in a barn started. Then their as the album closer, Crazy People, where the girls take a stab at dumbed down country of today that they talk about on the song Cigarettes, “The radio's playing old country songs, someone's leaving, someone's cheating, on and on.” The lyrics are as over the top as their fake southern accents, with lines like “He love his whiskey, and his fist loved my face so I buried that man, they won’t find a trace.” And that was some of the nicer lyrics in that song. Then if you weren’t sure that the girls were taking the song serious or not, they break down laughing at the end.
But Stand Still, Look Pretty isn’t all banjos and fiddles as the ladies plug and turn the amps up on a few songs. Lay Me Down has been in Branch’s vault for a couple years, but this is the first time it’s made it on an album and could be her most rock and roll song in her repertoire. Later there is Rain, another hard driver that should satisfy those still weary about the country twinge of other songs on the album.
The blues have been a key element of country for years, but the lyrics here are hit and miss when it comes to the subject. When the girls stick to writing about being broken hearted like on Leave the Pieces and Hard to Love You, thing turn out well. But the songs when they address the ugly side of the business like on Stand Still, Look Pretty (where they complain that people think that's all they do), it can get annoying even though they even sing in the song, “I don’t want you to think I’m complaining all the time.” But the album as a whole is still solid and makes you wonder if Branch could pull off a disco album for her next side project.
Song to Download - Leave the Pieces
Stand Still, Look Pretty gets a on my Terror Alert Scale.
It's time for the game that's hotter than Tony Kornheiser with a red afro: Oddsmakers. This Wednesday’s finale of Lost promises that the answers you have been waiting for will be answered including what happens when the clock hit zero and why did the plane crashed in the first place. One question that has been puzzling me since Claire’s flashback is who “Him” that Zeke is and Ethan Rom were talking about. Not-Henry Gale would later bring up “Him” after been found out to be an Other. Now I have no clue if finding out who “Him” is during the two hour finale will be one of the questions that will be answered, but that isn’t stopping me from rounding up a list of suspects. Feel free to place your bets* in the comment section on who you think "Him" is.
Dave (1000:1) - Maybe Dave isn’t the figment of Hurley’s imagination after all. But then again there is a reason why he's a longshot.
Libby’s Evil Twin (750:1) - I have theorized before that Libby has an evil twin, maybe she’s behind it all. But then again I also theorized that Libby was the person whose Jack’s wife left him for, so my theories aren't always the best.
Passenger of Flight 815 (100:1) - Could Him have been on the flight too, and had been the reason it went down where it did, then became the ultimate mole for The Others? Of course then who, Charlie, Jack, Locke?
The Monster (80:1) - What could strike fear in humans more than the wrath of a cloud of black smoke that can chew up and spit out them with ease? Granted not technically a Him.
A Chick (70:1) - On JJ Abrams last show the Big Bad was named “The Man” only to turn out to be Sydney’s mom, so maybe that trend will continue. My leading chick candidates include Rousseau and Miss Cleo or whatever the black chick’s name in the last episode was.
Someone We Haven’t Met (60:1) - This could possibly be the biggest disappointment of the show yet, hopefully this choice doesn’t pay out in the end.
The Field (50:1) - If you think it is someone not mentioned elsewhere on the board, here’s is where you put your money.
Desmond (45:1) - He was an enigma at the beginning of this season showing up in Jack’s flashback only to be revealed as the person in the hatch moments later. Then just as soon as we met him he disappeared into the jungle. I fully expected to see him in other flashbacks throughout this season but we haven’t seen him since kind of poking wholes into him being behind the whole thing theory.
Jack’s Dad (30:1) - He has shown up in the most flashbacks, Ana Lucia, Sawyer, and of course Jack’s and was instrumental in bringing two of them to Australia. It also seems plausible that he is Claire’s father too. When Jack found the coffin empty in the caves he just thought that they didn’t ship his dad in the plane. Maybe he was in there, but left out of his own volition to get back to The Others camp.
Leonard (25:1) - The keeper of the numbers who supposable went insane after hearing them over the radio one night and ended up in the same nut house as Hurley and Libby. Could he have been there solely to give Hurley them? It is suspicious why Hurley made the list, maybe Leonard wants to see his old pal.
Random Person from a Flashback (20:1) - Walt’s step-dad, Claire’s physic, the Second Terminator, Peg Bundy, the guy who was both Hurley’s and Locke’s boss?
Someone From the Orientation Videos (15:1) - The people that set up the experiment seems like to play God, maybe their ego’s are so big from it they don’t even let their subordinates call them by their name.
Ethan Rom (10:1), Zeke (5:1), or Not-Henry Gale (2:1) - The three guys that uttered Him, could they just been the Wizard behind the curtain the whole time pulling the strings? I always thought Rom’s death was too easy after the beat down he originally gave Jack after he kidnapped Claire. Could he have lost on purpose because he knew he wouldn’t really die?
* This game is strictly for entertainment purposes, no money is meant to change hands. Unless of course you would like to donate to the Scooter McGavin is Poor Fund.
When creating The White Stripes, Jack White had specific rules he wanted the band, which only included his ex-wife Meg, to follow right down to the color scheme both members must always follow be it red, black, or white. Another key ingredient was that they could only record song that could be played that way live, which meant only no more than two instruments per song. This led to a garage rock revolution and the simplicity was refreshing.
After years without wavering from those rules, Jack White has finally put the ex-wife on the back-burner and joined other Detroit rockers including Brandon Benson who trades vocals and guitar riffs with White as The Raconteurs on their debut Broken Boy Soldiers. The album starts off with Steady As She Goes that eases The White Stripes fans by starting off with a simple drum beat, then switches to a bass before the guitar comes in as if Jack was taking baby steps as he enters the world of more than two instruments per song. The song even sounds like it could have been a White Stripes song had White lifted his strict rule against songs that couldn’t be played live by just the two of them.
But not all the songs have the White Stripes with more musicians sound to it. The very next song Hands, as well later on the album with Intimate Secretary, sound something out of the 60’s British Invasion era with harmonizing vocals and all. The title track sounds like it could have been an outtake from an early Led Zeppelin recording session. In fact the album seems to go back and forth between the two time periods throughout the album.
On the balled Together Benson taking lead vocals with a less abrasive voice than White so the song comes off more sweet yet depressing at the same time, something White himself could not pull off during his tenure in his duo. But White is back in the spotlight on the album closer Blue Veins. The bluesy song where White goes on his full Robert Plant impression send chills done the spine and will fuel the fire of rock fans across the globe as they argue whether White should do another White Stripes or Raconteurs album next.
Song to Download - Steady As She Goes
Broken Boy Soldiers gets a on my Terror Alert Scale.
When I first heard of the concept behind My Name Is Earl, I though it had the potential to be funny, but it also could turn out like The Mullets, Instead of the big long hair there would be a bushy mustache. Luckily I have it a chance because it turned out to be even better that I could have hoped. The show itself is almost the antithesis of Arrested Development. Where the Bluth’s were complex people with complex problems, Earl and his crew were just simple folk with simple problems. The writers of Arrested Development would go out of the way just to set up a joke, Earl’s staff just go with the easiest ones. And of course Earl is a rags to riches story and the Bluth’s on the other hand lost all of theirs.
But the key to the show is Earl’s list. After years of being a petty criminal, he wins the lottery only to promptly get hit by a car. While in the hospital Earl learns a lesson about karma form Carson Daly of all people and makes a list of wrongs he’s done in his life that he need to make right. And being a reformed criminal, there is plenty to atone for, but with the help of his brother Randy and the maid at the hotel he stays at, Catalina, Earl has been able to cross a few off his list so far. This is no thanks to his ex-wife Joy who routinely stands in his way, or generally mocks him along the way, unless of curse it’s something that helps her.
Some of my favorite bad deeds Earl has crossed of his list include when he faked his own death to get out of a relationship, ruined Joy’s wedding, and the Y2K episode where he stole the ticket thing. Earl even solved one of Lost’s mysteries when he answered the question of where’s Walt and he also kidnapped the special kid. You can check out his list on the My Name Is Earl website although it is not the complete list and inaccurate. Number one on the list should be stole money from dude at a convenient store. Then there are the things on the list that Earl hasn’t gotten around to like how he keeps putting of crossing the one-legged woman off his list. Maybe next year.
My Name Is Earl 1.x gets a ![Terror Alert Level: Severe [RED]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidjcsCV5I3jWQDVTcnVoXbArSx3kHl02FZ8FkOHBBKP2w8mQulcCF614SIw1GjuB2JtKV2YcQOKXtMlnW2ulLSOvYvvXzDwZ3JF4Mlh0Dt2nfEL1oGLh0sk7O-GRHWbCPvJmMMKg/s400/small_severe.png)
on my Terror Alert Scale. It also won three STA's.
The networks spent all week announcing their new schedule, so here is my unofficial schedule of what I will be watching. It is only tentative because all I have to go on for the new shows are a short description (check out my preseason top five at the bottom) so I will have more of an idea of whether I will watch something when they start seeing promos are read reviews. Even Veronica Mars wasn’t on my radar two years ago as I pegged it as just another boring high school drama.
Monday
8:00 - How I Met Your Mother (CBS)
9:00 - Heroes (NBC)
This may turn out to be a throwaway night with HIMYM being the only show worth watching. Heroes seems promising if you get past the lackluster cast and a plotline stolen from a failed Courtney Cox show from the late 80’s who’s I can’t remember and too lazy to look up. I may check out The Class in between, but I hay just tape HIMYM and watch it at 8:30.
Tuesday
9:00 - Veronica Mars (CW)
9:00 - Let’s Rob… (Taped) (ABC)
Veronica Mars is a given, sadly the most promising sitcom, Let’s Rob… is up against it so I’ll have to tape it. The show is from the producers of Ed and Late Show and stars the taxi cab driver from the old MTV commercials. The show was originally called Let’s Rob Mick Jagger but I guess the show will branch out later and has potential to be this year’s My Name Is Earl.
Wednesday
8:00 - Jericho (CBS)
9:00 - Lost (ABC)
I’m just watching Jericho out of spite because they totally stole my idea of life in a post nuclear small town. Luckily since it’s on CBS and doesn’t have the prefix CSI, it most likely won’t make it past the first month. I may also check out The Nine which is oddly enough on at 10:00 solely because it stars Chi McBride.
Thursday
8:00 - Survivor (CBS)
8:00 - Smallville (Taped) (CW)
8:00 - My Name Is Earl (Taped) (CW)
9:00 - Studio 60 on the Sunset Strip (NBC)
Last year they moved all my favorite shows to Thursday making my weekend catch up time and it looks like it will be much of the same. Everybody Hates Chris is out but unfortunately My Name Is Earl moved up and hour. The at 9:00 there is Studio 60 from the dude who brought us Sports Night and if this show is just like his previous one but with an SNL twist I’ll be happy, well except for the whole being canceled thing.
Friday/Saturday
I’d like to think I have something better to do on these nights to watch TV.
Sunday
7:00 - Everybody Hates Chris (CW)
Sundays look like when I’ll be catching up on everything I missed on Thursday. I may ease up my boycott of Fox to watch the cartoon lineup, and is the Browns are on I’ll watch football, but this is basically a throwaway night.
Preseason Top 5 New Shows
Studio 60 on the Sunset Strip (NBC)
Let’s Rob (ABC)
Heroes (NBC)
20 Good Years (NBC)
The Nine (ABC)
Thoughts on other new shows:
20 Good Years - An off couple with John Lithgow and Jeffery Tambor, seriously how could you go wrong with an alien and a Bluth? Unfortunately it’s on against Lost, same with the other SNL themed show, 30 Rock
Six Degrees (ABC) - As in six degrees of separation but Kevin Bacon is no where to be found. The problem with the show is that it is JJ Abrams’ third show on the schedule, and second that involves random people who randomly interact (Think Lost’s flashbacks). Then add his involvement in resurrecting the Star Trek franchise and I can’t imagine he will have too much on his table and something, if not will falter.
‘Til Death (FOX) - The dude from Everybody Loves Raymond not named Raymond stars as a married dude in a stale marriage who new neighbors are newlyweds. This show was much better when it was called Married with Children.
Kidnapped (NBC), Vanished (FOX), Runaway (CW) - Much like Surface, Threshold, and Invasion last year, these shows sound basically the same and look how those that turned out for last year’s crop of derivative shows. To add to the agony, the latter stars one of the New Kids on the Block, that’s never a good sign.
For a complete grid of next year’s schedule, check out tvguide.com.
To start things off, as reported here first last week, “CW? It’s a done deal,” and today the official release was announced and Veronica Mars will be on the inaugural CW schedule on Tuesdays following Gilmore Girls. Unfortunately Everwood didn’t make the cut while the worst show on television that doesn’t feature dudes sing karaoke, One Tree Hill, the already canceled 7th Heaven, and the lackluster Supernatural did. (For the entire CW schedule, and a cool network trailer, well aside from those annoying OTH clips, check out it’s website and be sure to check back in tomorrow for what I’ll be watching next year). Back to Veronica Mars, it will be interesting to re-watch this past season looking at Beaver and Woody for clues that I didn’t catch the first time around, although I totally forgot to look for Beaver’s post-crash reaction, but I guess that’s what screen caps are for thant to vm-caps.com. I’ll also be looking forward to next episode with the introduction of Jackie to see any hints that she was, indeed, lying about her past as I didn’t see her mom being a waitress coming although I did call her being with child.
For those of you that still haven’t jumped on the Veronica Mars bandwagon, now’s the best time to get aboard with summer repeats getting into full swing pretty soon. Although you missed out on the massive Amazon price cut, you can still catch the show other cheaper ways. First if you are a member of Netflix, Blockbuster, or other subscription-based DVD rental place, just throw the first disk of season one into your queue. If you like it, go head and queue up the whole season and the second too so you will get first dibs when it is released in August. But if you don’t, oh well (but don’t let the Paris Hilton cameo throw you off in the second episode, make sure you give all four episodes a chance). If you don’t subscribe to any of those subscription sites, you can always take a look at your local library to see if they have it as Veronica Mars fan raised a lot of money to buy of season one DVD’s to distribute to libraries across the country. Hey, you can’t beat free.
Now onto the show that had a new episode this week Lost (click to download Three Minutes). Much like the last couple episodes, this one had a couple of big moments, but most of it was just filler. This could be because I had already pieces together Michael’s timeline while MIA from his actions upon return. The only part I didn’t see coming was that The Other letting him see Walt and the subsequent list that was given to him, and I was surprised that he wasn’t specifically told to kill Ana Lucia. With that said, Michael’s flashbacks were some of the most interesting of this season and there’s something to say that Claire’s is also near the top as they both had post-crash flashbacks. Hopefully there are more post-crash flashbacks next season as the pre-crash ones are getting stale. Maybe we will see a Rousseau flashback, or maybe Zeke or Not-Henry Gale.
But the most important part of this episode was the list, which much like Earl’s may have to do with Karma, or maybe not. There are many question to why these four, Jack, Kate Hurley, and Sawyer, are on the list. The Others like collecting “good” people, but then why Sawyer? There is something to say that they used Sawyer’s real name on the list though. Then there is why were certain people left off the list like Eko whom The Others already tried to take once and Claire whom the successfully too but escaped? Claire escaped thanks to Alex who also showed up in Michael’s flashback when she refused to deliver Kate to Zeke. And it’s pretty much a given that Alex is Rousseau’s kid. Right?
The rest of the episode was basically sleep inducing. The producers said they killed Libby because they had nothing else for her character yet they keep Charlie around with the boring heroin storyline that keeps coming back like a boomerang. Who wants to bet the Virgin Mary’s wash back ashore next season to rehash the storyline one more time just in time for him to reunite with Claire? Then there is Eko who is now king of the button and Locke sits around doing nothing. Yawn. Then they end the episode with a band with a yacht floating around shoreline.
Next week on Lost we have the two hour finale that promises to answer all your questions including why they are on the island (I’m sure they brought back the magnetic pull with Eko’s crucifix for a reason) and what will happen when the button isn’t pushed (haven’t we already seen this once possibly twice if Not-Henry was telling the truth?). Um, yeah, sure. Just from last episode I’m sure we will see who is on the yacht, if anyone and what Sayid’s master plan is for confronting The Others. I’ll go ahead and call it right now that this season will end when the castaways make it to The Other’s camp.
Over the two years iTunes has been issuing their Free Single of the Week, they have introduced us to a wide variety of songs; some didn’t make a dent in the musical landscape while others have gone on to be legitimate hits. I always find it funny when what was once a free single ends up a top seller because the people buying it could have gotten it for free at one point. But anyways. Arguable the best free song over the past two years was Run by Snow Patrol. I played the song obsessively, eventually making the song the most played song on my iPod so naturally I was chopping at the bit to hear their new material on the newly released Eyes Open.
The album opens with a sixties influenced You’re All I Have with synthesizers and harmonies but with guitars turned up. Over the next forty-five minutes the band takes you on a sonic journey from the highs to the lows that almost make you understand the U2 comparisons. Not in that they sound like the band, no one will ever be able to recreate the sound The Edge gets out of his guitars, instead Snow Patrol are able to craft music that doesn’t sound like anything else but is still palatable to a wide listening audience. Much like Run, Chasing Cars has and ebb and flow to it that just grabs you by the ear buds.
The journey you envision in your mind just maybe the theme of the album as they tell us to, “Just close your eyes until you can imagine this place, you're our secret space at will” (Shut Your Eyes). Then at the end of the journey they want so much to open your eyes Cos I need you to look into mine” (Open Your Eyes) to make sure we both got there before we get to the last track, The Finish Line.
Along the way there is the lullaby, complete with xylophones that could be used in a Disney ride in an alternate universe, on You Could Be Happy. Then there’s the grandeur Make This Go on Forever that, if it went on forever I wouldn’t have minded. The song builds and builds on piano as more and more people join the choir that helps out on the chorus. Then the album then quickly crashes into the more somber Set the Fire to the Third Bar, a beautiful ballad that Martha Wainwright helps with moody word especially when the two singers hit the chorus, “I'm miles from where you are, I lay down on the cold ground I, I pray that something picks me up and sets me down in your warm arms.”
If there was one negative to Snow Patrol is they still have yet to master the straight away rocker in the vain of Vertigo. When they do on songs like the unfortunate first single Hands Open as well as It’s Beginning to Get to Me and Headlights on the Dark Road seem to blend into each other and are too much like a couple songs off the last album. If on future releases they are able to craft a bombastic stadium anthem or two, they just may live up to the moniker of this generation’s U2.
Song to Download - Make This Go On Forever
Eyes Open gets a on my Terror Alert Scale.
