I remember a couple years ago Jay-Z tried to make a big deal about being the first new music video of the decade. Except no one really cared because no one ever bothered to watch Carson Daly's New Years Eve show. Taylor Swift is trying the same thing with the second half of the decade. Granted it was technically the last music video to premiere in 2015, but whatever. The song itself it pretty meh, but what would you expect sixth single from an album that only had two great songs. But this is the second mediocre song in a row that Swift spent late nineties type money on for a music video (somebody better be making some money for making me sitting through that horrible Natalie Dormor horror movie before every video I watch). I wonder if people are starting to make money on music video or is it basically only Taylor and Adele that are making any money. I just wished she had gone full Evil Dead during the muddy forest scene.
Speaking of overpriced music video from the late nineties, Fall Out Boy pay, um, homage(?) to *NSYNC in their music video (which begs the question whatever happened to Kim Smith?) and boy you can tell just how less money they spent on it compared to the original with really bad doll make up. They were able to even recruited on N'Sync member who was already referred to as Fat Spice back in their heyday and looked to have not stopped eating since. But was there a second member at the beginning, my goodness, Adele smashing their single week record is not treating these guy very well. Do not expect a N'Sync Cochella reunion anytime soon. And those she only has one song that does not suck massively, Demi Lovato actually kind of works as a backup singer.
One more nineties throwback. Rashida Jones has recreated some of her favorite RnB music video from the decade. I am old enough to recognize them but am too old to actually remember what half of them are. TLC's Baby Baby Baby is obvious, and Mary J. Blige's Real Love in also fairly easy but I am hard pressed to place the other. Xscape? All-4-One maybe? Are the mustard suits from Heavy D and the Boyz? And for those scratching their head as to why Rashida Jones is getting into music, just remember she got her last name from father Quincy as in the guy who produced all the great Michael Jackson records. Boss Selection is actually the stage name for Sunny Levine, Quincy's grandson and Rashida's nephew.
I actually wrote most of this post last week but did not finish it in time to post it before the weekend. Originally I started off by making a poor attempt to tie this into nineties nostalgia before mentioning how this video reminded me of Metallica's One. But David Bowie ended up passing away before I did post it. So instead of the poor jokes I originally made, let me take this time to celebrate his life. As a child of the eighties, I first learned of Bowie due to his cheesy Let's Dance phase (Modern Love being my favorite), which of course every five year old loved, so I did not realize until much latter how embarrassing that video with Mick Jagger was (or the rumors surrounding them). I did not get into his older stuff until high school when he hooked up with Trent Resnor on an album and realized just how weird he was and was much closer to what he was like in the seventies than what I grew up with. But maybe the most lasting memory I have of Bowie is when he opened The Concert for New York with a sparce cover of Simon and Garfunkel's America before launching appropriately enough into Heroes in front of the brave men and women who risked their lives on 9/11. Friday, Bowie released what turned out to be his last proper album Blackstar on his birthday which will will go down as one of the haunting final album like Johnny Cash's American albums.
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