Every Single Bone in My Brain Is Electric

The nineties were a great time for rock feuds: Nirvana vs. Guns n Roses, when the Gallagher brothers were not fighting with themselves, Oasis would take aim at Blur, there were bizarre feuds like Coolio vs. Weird Al, Metallica vs. Napster, Sinead O’Conner vs. Frank Sinatra and the pope, and in rap, there was even a huge East coast vs. West coast feud. All those feuds were organic and came from places of pure hatred. Today’s feuds seemed to calculated fueled more for promotional reasons than hatred. And whenever someone is caught hating someone or something else, a quick press release apology that sounds like it was edited by multiple public relations representatives is released. Most of those do not even need to be released it is just that the media routinely takes quotes out of context in hopes of firing up a feud.

That is what makes Jack White so refreshing, he has not problem starting up a good old fashion feud. He (reportedly) banned The Black Keys guitarist from his studio and does not even want his kids at the same school. The band kind of took the high road in Rolling Stone blaming more faults at the people that leaked the information, but still thinking White is not the best guy in the world. But Jack could not find common ground at hating leakers furthered his hatred at that other two-piece in the very next issue of Rolling Stone claiming they blatantly ripped them off and would be nothing without him. Of course the media would blow his rational out of proportion with his comparison that Amy Winehouse is the reason Adele was able to have success. (I agree with Jack that there is always some who opens the door for other artist to walk through, granted the first is not always the best.)

Next came the inevitable apology but Jack White certainly did not employ a PR firm to compose it as it was dripping in sarcasm in between the line and filled with back handed comments, I find it hardly coincidently that White brought up Danger Mouse in the apology out of nowhere as basically to say, The Black Keys need a co-writer and producer to make hit records. If there is one take away from the Rolling Stone article and the subsequent apology is Jack White really likes to complain which he freely admits he does quite frequently in the article.

Jack White’s hatred of The Black Keys stems from their similar sound to his former band The White Stripes but the biggest White Stripes plagiarist may actually be Jack himself. Each of his band have a very distinctive sound, The Raconteurs were power pop, The Dead Weather were hard rock, but when it came to his solo album it was a blues rock album in the vein of The White Stripes just with more musicians (the Stripes famously only recorded songs that the duo could perform live by themselves).

White’s second solo album Lazaretto is more the same, simply good blues mixed with rock and roll with most of the songs sounding liked more fleshed out versions of The White Stripes songs. But just like the first solo album, I have to wonder if Jack White is more entertaining when he puts constraints on himself like he did with the White Stripes because when he has everything at his disposal, it somehow manages not to be as interesting. There are bits and pieces as interesting material on Lazaretto like the instrumental High Ball Stepper but nothing that makes me not wish he would patch things up with Meg White. Really the only truly interesting part of listening to Lazaretto I had was trying to figure out which bands is backing him on which songs, his all-male band The Buzzards or the all female one, The Peacocks.

Song to Download – Lazaretto

Lazeretto gets a on my Terror Alert Scale.