A year after the release of Blood Sugar Sex Magik, this month's induction into the Scooter Hall of Fame, the Red Hot Chili Peppers’s prior record label released a greatest Hits package entitled What Hits!? (the second most self aware greatest hit package after Jimmy Buffett's Song(s) You Know By Heart). It was a sly nod to the fact that their first four albums could at best be considered a modest success and a cheap way to cash in on the band’s new found stardom on a different label. Back during those eighties albums, the Peppers were lucky to get played during 120 Minutes but in the post-Nirvana world, videos from Blood Sugar Sex Magic were in heavy rotation on MTV and alternative radio that popped up in the early nineties.
Unlike some grunge coattail-riders like Stone Temple Pilots and Bush, the Chili Peppers may gave benefited from the music that came out of the Pacific Northwest, but they were something entirely different, a mix of rock, funk, and rap, with three musicians that pushed every boundary and a lyricist that poured his whole heart on the page. John Frusciante created some of the most inventive riffs of all time which played off well with Flea’s funky bass and his rhythm section partner, the underappreciated Chad Smith.
Even though Frusciante and Smith were on their second album with the band, but the missing ingredient may have been producer Rick Rubin. As he tends to do, Rick took the other the top, hyperactive group and focused them leading to a more cohesive and more easily accessible sound. Rubin also famously found Anthony Kiedis’ poetry book and convinced him to take one entitled Under the Bridge to the band. Of course that song ended up being the album’s breakout hit and remains one of the biggest in the band’s history.
Under the Bridge may have broke the band in a big way, but first single Give it Away opened the door. The song was just pure focused energy, punk rock mixed with a funky bass line which makes it danceable if mosh pits are not your thing. Then there was the Anton Corbin music video, filmed in black in white in the desert with each band member with an increasingly epic hairdo.
And the album is not just pure funk with the random power ballad in the middle; the Peppers pushed their sound with songs like Breaking the Girl. An acoustic track with weird percussion and other instrumentation that sounds like it came from a medieval fair, and somehow it worked completely. The album concludes with Sir Psycho Sexy (not counting quick hidden Robert Johnson cover), weird song that sounds like it was built around a pig inspired syth patch where Kiedis goes on for over eight minutes about a freak in the Garden of Eden and being stopped by lady cops in an explicit fashion.
A decade after the first greatest hits, the Red Hot Chili Pepper released a new best of album that is actually worthy of the title with many legitimate hits from subsequent albums. Well many legitimate hits and one song from the Dave Navarro era that most people would like to forget.
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