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Tuesday, September 24, 2013
Musings from the Back 9: Music Edition XVII
It is easy to write off Jack Johnson as a modern day hippie or the beach bum equivalent of a beach bum, who is so mellow he can gets lampooned by Andy Sandberg on The Mellow Show sketch on Saturday Night Live. Sure Johnson got his revenge on Samberg in the hilarious At or with Me music video. If you have already dismissed Johnson, his latest From Here to Now to You is not going to change your mind as it is filled with another batch of sleepy acoustic song. Of course if you own all or most of his previous catalogue, you will be happy to know that the new album is filled with even more sleepy acoustic songs to play in the early evening be it around a bonfire on the beach or in your landlocked back yard.
From Her to Now to You gets a on my Terror Alert Scale.
I usually start off my reviews for new albums from The Roots by saying how I thought their album releases would become far and few in between after signing on as Jimmy Fallon’s house band for Late Night, but this is actually their fifth album since taking the gig in 2009 (and there could be a sixth one coming as soon as later this year). Wise Up Ghost is their second collaborative album, but where the soul classic cover album with John Legend made sense, most people had to do a double take when it was announced they would do one with Elvis Costello. Wise Up Ghost (of which the title track is the best song on the album) continues the experimental sounds of Undun mixed with Costello’s voice and lyrics about urban decay. The combination is as weird as you would expect, but it will take many more listens before I decide if it is a good weird or a bad weird. Check back in December when I do my list of the best albums of the year to see where Wise Up Ghost lands to see where it falls.
Wise Up Ghost gets a on Terror Alert Scale.
A year before Kimbra and two years before Lorde stormed the American charts all the way from New Zealand; fellow kiwis The Naked and Famous released their ultra catchy indie-pop anthem Young Blood that should have been as big as Somebody That I Used to Know and Royals. But now that their countrywomen pushed opened the door they cracked for them, The Naked and Famous are poised for their breakout moment. Except there is nothing as intrinsically catchy on their sophomore album In Rolling Waves like Young Blood from their debut. The closest is first single Hearts Like Ours which comes off like a more mature and pensive version of Young Blood. But overall the new album is just missing some punch.
In Rolling Waves gets a on my Terror Alert Scale.
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