Musings from the Back 9: Music Edition XIV

I have never been much of a fan of traditional country music, but I do have a soft spot for the angry white chick sub-genre that popped up in the middle of the last decade. One of the best songs of the genre was Pistol Annies Hell on Heels (lead Annie Miranda Lambert may be the angriest of the angry white chicks), I do not even care if it was an ode to maneating. Their follow up album Annie Up starts off promising; you know just by the title alone you know I Feel a Sin Comin’ On is going to be good. And though it is not in the angry white girl vein, the laid back, front porch sing-a-long does not disappoint. The rest of Annie Up does disappoint, filled with songs that would not be good enough to appear on their first album. I was hoping the alleged marital strife between Lambert and husbandBlake Shelton, even if was unfounded, would produce better music.

Annie Up gets a on my Terror Alert Scale.


The Dixie Chicks pretty much swept the 2007 Grammy Awards taking three of the top four awards (naturally they were ineligible for Best New Artist) and promptly took an extended brake. The two sisters in the group released an album under the moniker Court Yard Hounds in 2010 as they waited for lead singer Natalie Maines got the writing itch again. Seven years after releasing Taking the Long Way, Maines may not be ready to write with the Chicks just yet (though supposable something is “in the works”), but she is ready to record some music, as she just released a cover album Mother with songs from Eddie Vedder, Jeff Buckley, and Semisonic. There is one Dixie Chick song, Come Cryin’ to Me which was from the Taking the Long Way sessions which sounds about as good as a song that did not make that album would be. But the best of the set is the haunting title track version of the Pink Floyd classic and the new Ben Harper penned Trained where Natalie duets with the songwriter on a barn burner of a song. Though it is hard not to listen to the album and hope a proper Dixie Chicks album will not be far behind.

Mother gets a on my Terror Alert Scale.


It is really apropos that She & Him named their third album Volume 3 (the first two naturally were entitled Volume One and Volume Two; do not ask me why they spelled out the numbers on the earlier albums but opted for the numerical styling now) because their most recent outing sounds exactly like its predecessor to the point I was suspicious that it was just the same songs with different titles just to throw people off. Except it could not have been a complete rehash because there is nothing as catchy as In the Sun on the new album. It does not help that I went to look how much longer the album was the first time I listened to it and was shocked that I was not even half way through the forty minute album yet. Really the only song that stands out in this set is Together which features Zooey Deschanel singing in French (I think, I did not do very well in the subject back in high school).

Volume 3 gets a on my Terror Alert Scale.