You Got a New Friend, I Got Homies

I have never actually tuned into The Voice because, even with the weirdly awesome selection processes, it still seemed to fall into the same dilemma that faces American Karaoke: mediocre singers singing crappy songs. But since NBC sends me e-mails ad-nauseam about the show I cherry pick some performances that catch my eye and there were really only three singers that caught my ear in the blind: Nakia, Xenia, and Dia Frampton (for those keeping track at home, that is one singer more in one season of The Voice than American Karaoke has produced in its ten seasons worth listening to).

But back to things that caught my eye in the e-mails, nothing piqued my interest like seeing that a chick was singing a Kanye West song. Dia had this breezy feel with unique phrasing during the blind auditions and battle round (well before her partner came in and made it a trainwreck) but I was not prepared when I clicked on the link to see her first live performance. Where all of the singers on the show are doing bland karaoke covers, Dia went all Jimi Hendrix on the Kanye track and took a decent song and perfected it (yes better than The Fray’s version and vastly superior than the unlistenable version that was on American Karaoke a couple seasons ago that I could only make it thirty second in befor sutting it off).

A big assist to Blake Shelton (who would have guessed before the show he would end up with the best team?) who suggested that Dia take a seat at the piano. I am sure her standing in front of a mic would have been good and all, but the piano took it to iconic status from the shoulder shimmy at the :30 mark to when she released of that channeled nervous energy from 1:22 to 1:45 when she takes her fingers off the keys. In two minutes she went from the shy one on the show to the gold standard for any singing competition.

The only complaint I can make is how do you cover Heartless and cut out the Dr. Evil verse? That would be singing Panama but skipping the park when you reach down in-between your legs… and pulling the seat back. Luckily it was returned for the studio version, but the studio version is not nearly as great as the live one. I am excited to see what she does next (assuming she makes it to the next round, but considering she was one of only two singers this week to crack the Top 200 iTunes music charts this week, she should be safe, although the other singer to chart was teammate Xenia; they should just ex Christina’s entire team to make sure Dia and Xenia advance). I may have to start to tune in live if only for the drinking game of taking a shot whenever a coach speaking in hyperbole which could get drunker than my Deadwood drinking game of taking a shot whenever Al Swearegen’s favorite word is spoken.

Week Seven: Dia Frampton Sings “Heartless”


As much that has been made about her Heartless performance, and truly deserved praise, Dia’s contribution during the Team Blake ode to Adam Lavine has gotten lost in the clamor. It was actually the first time on the show where she actually looked like she was having fun and even managed an applause when she walked on stage that rivaled her coach Blake Shelton when he descended down the steps. Even Xenia looked more comfortable than during her solo performance (which points to a poor song selection in Jesse J). Though I found it interested that MTV heavily censored This Love, but NBC let all the not so subtle innuendo flow during the song (and after, how cute was that Xenia clearly had no clue what “That’s what she said” means).

Week Seven: Team Blake Sings "This Love"


While much better than American Karaoke, drinking games aside I am still not sold in actually watching The Voice live, but here are some suggestions that could get me to tune in later.

1. More Professionals: There have been a lot of complaining how many of the contestants on The Voice have already had record contract; seven of the remaining singers by my count seven, almost half of the finale sixteen, have released albums. I say to those who make that complaint: screw you hippies. One of my many reasons why I have never watched American Karaoke is that I believe if you have talent, you would not need a reality show to score a record contract, and considering American Karaoke and its strict no professionals rule is currently batting two for nine, I seem to be right. And though talent may land you a record deal, it does not always equate into stardom, you still need the right marketing. So having a show with season veterans like Dia or Javier Colon who never manage to get that breakout hit, The Voice can be that great marketing tool to get their music to the masses and makes for a better show.

2. Rotate the Coaches: I know the second season has already announced and all for coaches will be back and sure Blake is surprisingly funny and Cee-Lo is unsurprisingly creepy, but it would keep the show fresher if you bring in newer coaches for a new perspective and other musical styles. That is not to say retire the coaches entirely, the show can bring them back periodically, just not back to back seasons. I really hate to think that a Gnarls Barkley would be pushed back because Cee-Lo is too busy with The Voice.

3. Longer Songs – Like mentioned above, how can you sing Heartless without including the Dr. Evil verse? It got cut because all the performances have to come in the two minute range. I understand keeping songs short during the blind audition, if you cannot wow a coach in two minutes, you probably never will, but they kept it to two minutes for the Battle Rounds (for non math majors that is just one minute per singer). Certainly they could trim from the human interest segment before the performance or the coach’s comments, speaking of which:

4. Stop it With Hyperbole: Cee-Lo called Dia’s performance, “probably the greatest rendition of a song I ever heard.” It was a great performance but seriously Cee-Lo, better than Jimi Hendrix’s version of Dylan’s All Along the Watchtower or Johnny Cash’s take on Nine Inch Nails’ Hurt? The hyperbole has gotten so out of control, I want to institute Blake’s buzzer for Xenia for whenever the coaches go over the top. And how about being critical when it is warranted? I do not want anyone to turn into Simon Cowell, who has no credentials to judge a singing competitions, the guy is just an insult comic to the point that dude might as well have Robert Smigel’s hand up his butt, but if you do not give the artists constructive criticism, they are not going to improve. And this is a competition, I want more bad blood between the coaches, right now it is just Christina vs. the boys, I want some teeth to come out even if it is just good natured.

5. Better Backing Band: At times the band house band sounds like they are recording Muzak (or dare I say the music for karaoke bars). I am not sure if it is the same musicians for every singer and that is wearing them thin, but the house band is not doing the singers much favors. Maybe more musicians to ease the burden, or maybe since many of the contestants are already in bands, let them play with them. And I know this probably would not come to fruition, but how about bringing in Cee-Lo’s buddy Danger Mouse in as musical director.

Parts of this article first published as The Voice Finds its Voice on Blogcritics.