Throughout the nineties artist tried to marry rock with electronic music, even Eric Clapton devoted an album to attempted genre mashing (check out Pilgrim) to little effect, but no one made that merger as successful until David Gray came around. Babylon was a folksy song that was easy to sing along with, but underneath was a beat that sounded like a rap beat stripped of its bassline.
Once you listened to the album that Babylon was found on, this month’s induction into the Scooter Hall of Fame, White Ladder, you found more of the same. Where Babylon took the acoustic guitar route, Please Forgive Me when with a driving piano line to go along with the frantic electric percussion track before a head bob-along-bass part gets added to the second verse.
The marriage of folk and electric is most notable on drug fuel We’re Not Right which mixes advanced towards former first ladies and bouncing computer blips and booms. That’s not to says Gray fully rests on the gimmick, even if he still remains one of the few that can successfully make eclectic folk. The stand out track on White Ladder (which recently ranked as number 18 on The 100 Greatest Albums of the 00’s) is the a track that only features his voice and a piano, This Year’s Love, a sweeping ballad that deserves air time at every prom and wedding reception until the end of time.
Gray could also do a stripped down guitar song as heard on the album closer, an acoustic reworking of Soft Cell’s Say Hello, Wave Goodbye. No, seriously, Soft Cell had a song not called Tainted Love and Gray took the new wave, very eighties sounding song and turned it into a reflective, acoustic nine minute gem and fitting end to a classic album.
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