I Was a Starling, Nobody's Darling

Whoever had Mandy Moore back in 1999 being the most successful of the blonde pop princesses in the office pool eight years later would have made a lot of money as she started out fourth in the pecking order. But out of her contemporaries, she seemed to make the most chances being the first to go brunette as well as the first to give acting a shot, and remains to be the only one to be successful at it. She even recorded two of the best songs among her peer with In My Pocket and Crush, though Genie in a Bottle still ranks as the gold standard.

After three albums chalk full of the overproduced teen pop fair, Mandy released an album of cover tunes that reflected more of her new love of folksier music which included one of my favorite songs of all time, John Hiatt’s Have a Little Faith in Me. Now four years later at the age of twenty-three, Mandy has written an album worth of songs very similar to those she hand picked for Coverage with some help from the indie-folk acts like The Weepies, Rachael Yamagata, Chantal Kreviazuk, and Lori McKenna on the just released Wild Hope.

The lyrics are everything you would expect from Mandy for her first go a round putting pen to paper with some introspective lyrics and laments to lost loves. The problem though is unlike other artists of the genre she is trying out where you tend to relate the songs to your own experiences, you cannot help but wonder which songs are about that that tennis player and which ones are about that dude who wrote Garden State. Although until I learn otherwise, I will assume the line, “I hope you burn in hell” (Nothing that You Are) is about that annoying dude from Yo Momma. Despite the vengeful lyric, Mandy never come across like Kelly Clarkson-like bitterness.

Instead throughout the album, Mandy takes a low key approach to her vocal, content instead of letting the well produced music performed by actual musicians, no synthesizers in sight, share the spotlight until she turns up the dial on the album closer Gardenia where she belts it out with only a piano to accompany her and lines like “I’m the one who likes to make love on the floor”. No word yet on if she likes taking walks in the rain. Elsewhere on the album, Most of Me, with its driving acoustic guitar, is one of those songs you should be required to play while driving on a country road on a clear summer night. Whether the girl Moore is talking about in the song is her or someone else, the way she presents the female in Can’t You Just Adore Her? The answer is a resounding yes.

Wild Hope certainly isn’t the best folk album you will here this year, nor any of the songs as catchy as her poppier past, but the album is a step in the right direction creatively for Ms. Moore. And this album shows that Mandy could have a great album in her if she put more time into it.

Song to Download - Most of Me

Wild Hope gets a on my Terror Alert Scale.