You’re a Flower Blooming in the Desert Sunshine

Sadly, Toby Lightman’s debut album was overlooked, but now she’s back for another try with a vastly improved and more mature sound. But Bird on a Wire doesn’t stray from the blue-eyed soul of her first outing. The opener Don’t Wake Me starts off with a gospel feel that turns funky quick drawing you into the album. Then Don’t let Go struts along and will make you tap your foot without realizing.

Throughout the album, the songs take you on different journeys like with Tripping which is reminiscing of the girl group era of the sixties. Round and Round lives up to its title as Lightman builds the song up only to have it come crashing down just to build it back up again. The acoustic guitar that starts off Alone sounds like a sped up version of Ryan Adam’s version of Wonderwall only to morph into a rocker that wouldn’t be out of place on a Michelle Branch album while Holding Me Down starts off much like Devils and Angels from her last album, but then goes into a different direction.. Overflowing bounces along like something you make have heard in a cabaret.

Where Lightman shows off her voice is when she slows things down and strips away and softens the backing musicians. On songs like My Sweet Song and One Sure Thing it sounds like she’s channeling Ella Fitzgerald but still makes the songs sound modern at the same time. Then there’s Better which could arguably have the best bass line of a slow song in recent memory aside from Crazy by Gnarls Barkley and Toby’s toned down voice on the track blends perfectly with it. The album closes with two songs, I’d Be Lost and Good Find, that should be listened to at night with the windows rolled down while leisurely driving. Hopefully for Toby Lightman the second time will be the charm.

Song to Download - Better

Bird on a Wire gets a on my Terror Alert Scale.