Toss Up: Lost vs Veronica Mars week 2

Both Lost and Veronica Mars have had strong starts to their third seasons with VM squeaking out a victory last week. Now here is this week’s Toss Up:

Floral Dress
Lost: Kate is the lone person in a summer dress
Veronica Mars: Veronica is one of many in a sea of summer dresses
Winner: Veronica Mars


Bald
Lost: Sun’s lover
Veronica Mars: Parker
Winner: Lost


Back for the First Time
Lost: Sayid, Sun, Jin
Veronica Mars: Sheriff Lamb (check out Tube Talk Girl’s interview with Lamb)
Winner: Veronica Mars


Still MIA
Lost: Locke, Desmond, Eko, Claire, Hurley, Charlie
Veronica Mars: Weevil
Winner: Lost


Remember Me
Lost: Alex
Veronica Mars: Chip Diller
Winner: Veronica Mars


Torture
Lost: Kate and Sawyer are forced to break and remove rocks
Veronica Mars: Logan and Horshack are forced to listen to The Piña Colada Song
Winner: Veronica Mars


Tasers
Lost: It’s the Other favorite way to keep Sawyer and Kate in line and used it liberally
Veronica Mars: It’s Veronica favorite form of defense but wasn’t able to use Mr. Sparky when she wasn’t led to the naked room
Winner: Lost


Death Toll
Lost: Sun’s lover (and it’s safe to assume the random Other on the yacht is officially dead)
Veronica Mars: Cormac Fitzpatrick (and it’s safe to assume that Kendall is officially dead
Winner: Lost


Being Monitored
Lost: It seems like Not-Henry has cameras all over the compound if the not the whole island
Veronica Mars: The den mother has cameras all over the Theta Beta house to keep her stash safe.
Winner: Lost


Overbearing Parent
Lost: Sun’s father busts in on her in a compromising position
Veronica Mars: Parker’s berate her because she can’t think for herself
Winner: Lost


Best Line
Lost: You taste like fish biscuits
Veronica Mars: Vomit, it’s the new mace
Winner: Veronica Mars


I Love the 90’s
Lost: Charlie Salinger
Veronica Mars: Shawn Hunter
Winner: Lost


Worst Kept Secret for Next Episode
Lost: Locke, Desmond, and Eko all survived the blast last season
Veronica Mars: Parker won’t be going home with her parents
Winner: Veronica Mars


A surprising early win for Lost this season and hopefully this is signs of things to come as the were unable to string along two good episodes in a row last season and already have two straight right out of the box this season. The big news this week was the return of Sayid, Sun, and Jin. And what’s bigger is that Sun actually killed someone. I though in the final flashback it would turn out that she was going to be the person that pushed out the bald dude out the window but oh well. But the real predictable part of the flashback was that Sun was getting busy with the bald dude, something everyone already assumed.

Elsewhere on the island, Not-Henry continues to get creepier and creepier. First we learn that he enjoys watching people on monitors. Then he offers Jack a chance to go home. It will be interesting what Jack has to do and if he would actually do it. Even though they have CD’s and Stephen King novels, both of which could be leftovers from the early nineties, I’m still not sold that the Others have contact with the outside world just because they have tape of the Red Sox world series victory, just that they have a satellite feed.


As for Veronica Mars, seriously what could be more entertaining than watching Ronnie lesbian dance? I have to say I was half hoping that Vee would end up joining the sorority in the end and take Dream Lily’s advice and experiment in college. Oh well. What’s much more surprising than her not joining the sorority was she left the paper too to work at the library which I assume will be the new girls’ bathroom. But this begs the question; why not continue to work at Java the Hut? It has to pay more (especially with tips) then a work study job.

Of course Ronnie went undercover to investigate the Parker rape and I already have my lead suspect picked out, the RA. This is mainly due to picking George Michael when the college episode last year but since he is unavailable, I still think they will be going with an RA. As for the rape victim herself, it’s pretty safe to assume that Parker once again won’t be able to make her own decision and stick around like Mac asked her. And on the hair front, I really hope they find her a better wig than the one she was sporting during the episode.

But I have to admit I was totally taken out of the Wallace/Logan storyline with the Shawn Hunter sighting. And what’s extremely disturbing is he looks exactly the same since I last saw him. But at least the casting director at Veronica Mars was nice enough help him postpone his inevitable sex tape. And the guest spots didn’t stop there with the geek from Freaks and Geeks (or was he a freak, I always forget which one was which), the token hot chick from Jack and Bobby, and Homer Simpson in the flesh. But with all the absurdity that went along with this storyline, the part that I had the hardest to believe that an intro sociology class would have to do a twenty page research paper. I took upper level courses and never had to do more than ten.

Now it’s time for my far out there theory of the season (or just this mini arc): The serial rapist is a chick. Remember when being questioned by Lamb, Ronnie mentioned when she walked in she heard buzzing and Lamb said what did it sound like and Ronnie said you know and gave him a look. Well I was thinking, what do girls use that buzz? So I think in the end it will turn out that one of the feminists had a bad experience at a Greek party and are trying to set them up to get them all kicked off campus. So there’s my current out-there theory.

Next week on Lost we finally learn the fate of the boys that were in the hatch and presumably Hurley makes it back to camp so it will be interesting how he deals with what he knows. Then Veronica meets the nasty Dean played by the dude with no eyebrows from Arrested Development. Keep in mind our good friend Chip Diller got three hundred points for nailing the Deans wife so it will be interesting to see if that comes back up.

And don't forget to check out Tube Talk Girl's interview with Sheriff Lamb. My favorite part is that Lamb watches my favorite TV show, Pardon the Interuption and the question on who he would like to be "on the Lamb" this season.

First Impressions: 60 Rock

Of the two backstage at a Saturday Night Live type skit show, 30 Rock was the one that got the less press even though it is the only one that touted actual talent from SNL, and I use the word talent lightly because Tracy Morgan is one of them. The other though is Tina Fey whose Weekend Update was one of the bright spots of the show in recent years. But then again she was the head writer of the show during an era of the show was at its least funny.

Fey also handles the responsibly for the writing for 30 Rock as well as being the producer of the fake The Girlie Show. No seriously, that’s what the fake show is called. I’m not sure if that’s a step up or down from the previously considered Friday Night Bites. The star of The Girlie Show is Jane Krakowski who recently bumped Rachel Dratch from the role because, well she looks like Jane Krakowski and Rachel Dratch looks like Rachel Dratch. But feel too bad for Dratch as she didn’t get completely dropped from the show because she shows up the cat lady in the first episode.

Much like Studio 60 on the Sunset Strip, 30 Rock starts with a shake up in upper management. Here, Alec Baldwin has been brought in save an already successful show and plans to be hands on during the process and hopes to sell some oven in the process. First on his agenda, recruit loose cannon Morgan for the fake show. Oddly it was never brought up that he was recruited to star in a show called The Girlie Show. Seeing Morgan here reminds me of someone who recently said, “SNL hasn’t had a funny black man in years yet the fake one was able to find one.” The other actor on the fake show is Lonny Ross who is obviously playing Jimmy Fallon in that he is ambiguously gay and not at all funny.

Backstage there is the hugging guy from Dave Matthews Band’s video Stay as, um, well, I’m not entirely sure what he does but I’ll guess a writer. Another presumed writer in the black nerd played by Keith Powell, basically Carlton all grown up. And to fill in the token hot chick quota is lazy secretary Katie Bowden who actually has “mean girl” in a Fall Out Boy video on her résumé. So you have the dude from the Dave Matthews Band video and the chick from the Fall Out Video; really, what more can you ask for. Well maybe some laughs, but I’m just nitpicking here.

Verdict: There were some funny moments throughout the first episode, but nothing laugh out load funny. What’s sad is that the Tracy Morgan led show may actually last longer than Studio 60. 30 Rock airs tonight at 8:00 on NBC.

First Impressions: Friday Night Lights

Everyday I watch a lot of ESPN with Jim Rome Is Burning, Pardon the Interruption, and a good chunk of Sportcenter surround my dinner every night. I even subscribe to the ESPN Radio postcast and no matter how bad it is, I’ll still sit and watch the Browns every Sunday and my life completely shuts down the third weekend in every March. With that said, I rarely watch sports movies. Before you point to the name of this blog, let me go ahead and defend it by saying 1) Happy Gilmore is a comedy first, sports movie second, 2) golf isn’t a sport, it’s a leisure activity like bowling and darts.

Now one of the reasons I stay away from sports movies even though I’m a huge spots fan is simple, no one could ever write a story as great as Gibson’s home run, the ending of Cal vs. Stanford, or Red Sox coming from 3-0 down to beat the Yankees. And as someone who has lived his whole life in northeast Ohio, no one can write something as heartbreaking as The Drive, The Fumble, or Jordan over Ehlo. Of the few sports movies I have seen, Friday Night Lights is not one of them because, well, they didn’t have any cheerleaders in whip-cream bikinis.

I planned on continuing my moratorium on sports movies into television with the serialized version of Friday Night Lights, but after a week of glowing reviews from the few that actually watched the show, with one newspaper even calling it the best pilot they ever saw, I decided to check it out on the NBC website (where you can still see for yourself at least for now). The best pilot ever? Um, no. The best pilot this season? Not really. The best pilot of a new show this season on Tuesdays? Totally (although that may change after the debut of whatever ABC is calling Let’s Rob Mick Jagger this week).

The show follows a football team and their new coach in Texas, a state that has a disturbing obsession with high school football. And it’s not just any old team; it’s the preseason number one team in the state. Don’t ask me how a team with a new coach gets to be number one out of all the teams in Texas. Maybe it’s the Notre Dame recruited star quarterback and maybe it’s the Longhorn courted black running back who just so happens doesn’t get along too well with his white fullback. Oh, the racism, you know, just like Remember the Titans.

I’ll have to admit, there were a few chill scenes throughout the first episode like in practice like the guy that fumbled the ball who had to go in front of the tackling squad. But the show is brought down by the same reason I don’t watch sports movies, it is filled with too many cliché. The worst being (MAJOR SPOILER if you haven’t seen the first episode) the quarterback predictably going down, I knew this was going to happen the moment the backup quarterback came on screen. Then they had the backup comeback from not just a touchdown deficit, but two in the final six minutes to win the game. You know, just like Varsity Blues. (END SPOILERS)

And it’s not just the actually show that hurts Friday Night Lights. First, there is already way too much real football on television right now I’m not sure many people want to put fake football on the schedule. Not to mention the poor planning having the show debut against the start of the baseball playoffs. The show may have been better off as a midseason replacement, go from the coach getting hired and spring practices, then come back in the fall with fans already hooked that they would continue watching even with the football overload. This would have also help with introducing the players, it’s hard enough to get to know a character on a show as is, but it’s impossible when they are wear helmets half the pilot. Then much like MTV’s Laguna Beach took some steam off the fictionalized The OC, the reality of Two-a-Days takes away some allure off of Friday Night Lights.

Verdict: NBC has two new football programs this year, but I have a feeling Friday Night Lights will be off the air before Sunday Night Football plays its last game of the season. Friday Night Lights airs at 8:00 on NBC and the latest episode can be streamed at its website the day after it airs.

Don’t See the World Through Someone Else’s Eyes

Celebrity children have gotten a bad rap lately thanks to the reality exploits from the likes of Nicole Richie and the Osborne children. Most seem content on living off their parent names as opposed to making a name of their own on their own talents. Then there is Robin Thicke who not only didn’t use his dad Allen’s name (you may know better as Dr. Jason Seaver) to get famous, he even picked music over acting like his father, well after a few guest spots on his dad’s show as well as The Wonder Years. Thicke stuck out his first time around back in 2002 despite the catchy, Mozart sampling When I Get You Alone. But don’t feel to bad for him, he does have a Grammy for songwriting and has written songs for Christina Aguilera and Usher. But now he’s back with a new look, a new label (Pharrell’s Star Trak), and a new album, The Evolution of Robin Thicke.

The album sounds like a history of soul music as Thicke draws on some the best. Got 2 Be Down is his Marvin Gaye song; Complicated is his take on Smokey Robinson; 2 the Sky is could be a Donny Hathaway song; Cocaine would have fit well on Curtis Mayfield’s Superfly Soundtrack; Lonely World could have been from Stevie Wonder’s 70’era. And Thicke turning “to” into “2” and “you” into “U” in his songs is straight out of Prince’s playbook. With all the decent blue-eyed soul, you have to imagine Justin Timberlake is listening to the album wishing he wrote songs like Would That Make U Love Me and Can U Believe because this is album JT wishes he could make.

Faith Evans helps elevate the fun opening track Got to B Down, but the other guest spots don’t fair as well. One of the worst rapper in recent years, Lil Wayne, who goes by the even cheesier moniker Weezy, brings down the worst being All Night Long. Shooter, which is a reworking of a song on Thicke’s debut for Weezy’s Tha Cater, vol. 2 album which is somewhat catchy, but still not a good as the original. Pharrell continues his lackluster year with the production on the formulaic Wanna Love U Girl and throws in an anemic rap for good measure. Length is also an issue at over seventy minutes, had Thicke trimmed some of the fat, you may have been able to listen through the whole album without skipping a song.

Song to Download - Lonely World

The Evolution of Robin Thicke gets a on my Terror Alert Scale.

You Could Be the Sinner and I’ll Be the Sin

In the late eighteenth century the British made claims to Australia and turned it into penal colony for their lawfully impaired. That could explained why the country has been exporting beer soaked bands for years most notable AC/DC. The latest band to follow in their footsteps is Jet who exploded on the scene in 2003 with ruckus bar brawl starters such as Are You Gonna Be My Girl and Cold Hard (Expletive Deleted). They even threw in the creepy balled Look What You’ve Done for good measure.

Now three years after the release of Get Born is the ban’s follow up Shine On. The album teeters between the alcohol anthems of their last album and a new sound and nowhere is that more prevalent than on the lead single Put Your Money Where Your Mouth Is. The verses are downed by falsetto that you would expect on a Justin Timberlake album if he brought in a real rhythm section complete with cowbell, but the chorus is when the band gets back to basis when lead singer Nic Cester breaks out his trademark whiskey drowned voice that catapulted the band onto rock radio in the first place.

The newer sound seems to come from listening to the Beatles, there’s even a song about a girl named Eleanor although we don’t learn her last name. But the songs with the Beatles influence end up sounding like the Beatles threw an Oasis filter. Not so coincidentally the producer on the album, Dave Sardy, also produced Oasis’ last album. Oddly enough, for a band whose came to prominence with bombast anthems, some of the best songs on this set are the balled. Kings Horses shuffles along like something of Oasis’ first album. Shine On builds and falls much like Look What You’ve Done but without the bitterness. But for my money I’ll stick with the beer-soaked songs that I’d expect from the band like Holiday, That’s All Lies, and Rip it Up. And a word of advice for Cester, make sure you include more whiskey in your diet before you record the next album.

Song to Download - Holiday

Shine On gets a on my Terror Alert Scale.

It Takes a Girl to Understand

To be honest, if Vanessa Hudgens and Ashley Tisdale both walked in on me right now I would be able to tell you which one is which. But apparently both were in the Disney Channel’s hit High School Musical which landed them both record contracts with Disney’s Hollywood Records, the label that has brought us albums from Hilary Duff and Lindsay Lohan. We’re not really talking Motown here, but anyways. Now one of the reason I can’t tell the actresses/singers apart is that I haven’t seen High School Musical for fear that is I got up to get a snack during a commercial break, Chris Hansen would be waiting for me in the kitchen. Hopefully just listening to the album won’t raise any red flags over at Dateline.

The first of the duo to get their album out is Vanessa Hudgens, apparently the brunette from looking at the album cover, with her album V which I assume isn’t a roman numeral or a nod the alien miniseries from the eighties but rather the letter as she is called “Baby V” a couple times on the album. The album is anchored by the lead single Baby Come Back that oddly samples Player’s sad love song of the same name and turns it into a dance track, but remains almost catchy. The album is your typical for pre-teen fair with songs about puppy love gained and puppy love lost along with your prerequisite girl anthem track Never Underestimate a Girl. But even though Drive comes close, nothing on the album is on par with any of Duff’s guilty pleasures, but on the bright side see does sound better than Lohan (which doesn't say much). Now I have a couple months to figure out which one is Ashley Tisdale before her album comes out.

Song to Download - Drive

V gets a on my Terror Alert Scale.

I Don't Care Whether You Like Me or Not

The Family Stone is one of those movies that were just improperly promoted. From the trailer, it looked like the movie was a romantic comedy centered on a wacky family over Christmas; almost as if one of the children in National Lampoon’s Christmas Vacation had brought home a longtime girlfriend he had intended to marry. But The Family Stone was just rarely funny. Now unlike many comedies in recent memories, the problem wasn’t that it was a comedy that just wasn’t funny, instead the movie is more of a family drama that just has some humorous scenes in it.

The movie centers on Durmot Mulroney (Angels in the Outfield) who brings his girlfriend Sarah Jessica Parker (Footloose) home to meet the family for the first time as he intends to get his grandmother’s wedding ring to give to Parker. But the couple doesn’t mess well primarily because Parker makes her character one-dimensional like she was in a bad sitcom while everyone else is multi-layered. There is a possibility that this wasn’t Parker’s fault, but a better actress here could have made the movie much improved.

Rounding out Mulroney’s family are the parental figures Craig T. Nelson (Coach), the go with the flow dad and Diane Keaton (Father of the Bride II), who makes it very clear that she doesn’t want Parker to get her mother’s wedding ring. Rachael McAdams (Mean Girls) is the moody sister mainly because she isn’t getting any and the resident scene stealer. Taking after his father is Luke Wilson (Legally Blonde) who tries to get Parker to get her fly her “freak flag.” Unfortunately they threw in two more siblings which only made things more clustered including a gay homosexual brother who also happens to be deaf (although his black boyfriend is a lot more entertaining) and an even more worthless pregnant sister who spends most of the time in the background with her daughter.

Feeling outnumbered, Parker calls on her younger sister, Claire Danes (Terminator III: Rise of the Machines) whom the Stones take to because, well, she is much more endearing than her sister. Things pick up upon her arrival, but I’m sure I would have liked the movie much better had I not expected to laugh while watching. So be warned if you check The Family Stone out, it’s much more a drama than a comedy.

The Family Stone gets a on my Terror Alert Scale.

Toss Up: Lost vs Veronica Mars week 1

The last two days saw the return of two of the best shows on television with Lost and Veronica Mars. So without further ado, here is the first Toss Up of the season.


New Chick
Lost: Juliet
Veronica Mars: Parker
Winner: Veronica Mars


Jealousy
Lost: Jack is of his dad (when he thinks he’s nailing his wife)
Veronica Mars: Piz is of Logan
Winner: Veronica Mars


Lounging
Lost: Not-Henry and Kate have a somewhat relaxing breakfast on the beach
Veronica Mars: Piz and Veronica hang out in lawn chair while the Welcome Wagon dude gets busted
Winner: Lost


Liquor Problem
Lost: Jack’s dad falls off the wagon after Jack attacks him
Veronica Mars: Dick never gets on the wagon
Winner: Lost


Good to See Again
Lost: Carol Vessey
Veronica Mars: Vinnie Van Lowe
Winner: Lost


Musical Choice
Lost: Juliet listens to Petula Clark’s Downtown
Veronica Mars: Parker listens to the Pussycat Doll’s Buttons (also Four Fifty One a.k.a. the Unwashed played Socks and Shoes)
Winner: Lost


Harsh Words
Lost: “It’s not who he is, it’s who you’re not”
Veronica Mars: “You were just his beard”
Winner: Veronica Mars


Undressed
Lost: Zeke forces Kate to shower in what looks like an all-female prison locker room
Veronica Mars: In their first meeting Parker changes in front of Veronica… twice
Winner: Veronica Mars


MIA
Lost: It would be easier listing who was in the episode
Veronica Mars: Weevil, Lamb
Winner: Lost


Back from the Dead
Lost: We see Ethan and Goodwin in a flashback
Veronica Mars: I swear I saw Not-So-Luck in Vee’s criminology class
Winner: Lost


College
Lost: Jack graduated a year before his class
Veronica Mars: Veronica just started up
Winner: Lost


New Place and Already Making “Friends”
Lost: Sawyer is quick to call the other dude in the cage names
Veronica Mars: Ronnie irks the TA when she was all douchebaggy for avoiding spoiler warning to beat is record
Winner: Veronica Mars


Gay?
Lost: If Kate is not Zeke’s type, that must mean he’s gay right?
Veronica Mars: Will Ronnie take Dream Lily’s advice and fool around with her boyfriend’s ex?
Winner: Hopefully Veronica Mars


Entertainment
Lost: The others gather for a book of the month meeting
Veronica Mars: Parker and Mac gather together to watch America’s Next Top Model
Winner: Veronica Mars


Surprise ending
Lost: We learn Not-Henry’s last name is, um, I don’t remember
Veronica Mars: Parker goes all Natalie Portman
Winner: Veronica Mars


A new season and Veronica Mars starts this one much like the last by beating Lost in the Toss Up, but was much closer this year. Lost was smart by spending the whole episode on the captured because the other main cliffhanger was less interesting because it’s safe to assume that Eko, Desmond, and Locke all survived. But the biggest cliffhanger was totally ignored. I originally though we were getting a glimpse of Desmond’s lady in the opening flashback, but alas, I was wrong. But we did get to see the Others in their natural habitat and it looks very suburban, yet in the middle of the jungle. How you get building supplies to the middle of nowhere is just another question to add to the massive list of unanswered questions on the show.

The three captives are separated and the guys look to be in left after sets from the horror movie Saw. With Jack realizing that he’s being held in a dolphin tank and Zeke’s joke that the bears figured out Sawyer’s puzzle in less time makes me wonder if they are held in an abandoned zoo. Was the Hanzo Foundation going to set up some massive Jurassic Park type zoo and they had to abandon it when “the monster” got loose? I’m still holding onto the warring faction theory where two entities (maybe Hanzo and the Others) fought for control of the island.

Then there was the dude across from Sawyer, he just screamed plant. His escape was just a test, and he failed. If he wanted to know how far away his camp was then make Sawyer go the other way when they escaped makes me very suspicious of him. But the big mystery was the dissention in the Other camp. I assume Not-Henry was the one not invited to the book club and it didn’t look like Juliet was too thrilled to be the decoy in the much rumored underwater hatch plan.

Then there was the return of two time Scooter Television Awards winner for Best Show, Veronica Mars. In one of the worst kept secrets of the summer, Veronica ended up at Heart College despite being accepted to Stanford. And if that was the worst kept secret, the second worst was that the first mini-season arc mystery would be that of the serial rapist Ronnie encountered last season. But before that happened, we got our first college level mystery of the week which involved Wallace’s new roommate Piz. Anyone find it odd that Piz is from Beaverton. Get it; Beaver-ton. You know; (Cassidy) “Beaver” (Casablancas)-ton. Oh, nevermind. Many great Vee moments following the mystery of the week with Ronnie speaking Spanish and futuristic languages, camping out in lawn chairs (such a college thing to do), and her anti-chick conversation with Mac.

Speaking of Mac, she also got a roommate, Parker, who quickly shot to the top of the list of contenders fore Best Cast Addition for next year’s STA’s. Her first scene with Ronnie brought back some fond memories of college (man I miss undergrad). Unfortunately it looks like we won’t get to see that Parker in future episodes of the show as she fell victim to the serial rapist. Too bad they didn’t hold the rapist storyline to the second or third arc of the season, because I would have minded see more of Perky Parker. But I wonder if Parker is supposed to Ronnie had Lily not been killed which means she might not have been raped either?

At least we got basically two years of classic Dick before he went on his downward spiral. And if you didn’t realized that was Dick in the Union Jack Speedo before he was unmasked then you must never seen the show. One thing I didn’t understand is why Dick had to shack up with Logan at the end? Did something happen to Casa de Killer II? But there was nothing more harsh spoken ever that his “beard” comment to Mac. I cringed ever time I watched it.

Whereas those storylines seemed written for newbies, the other storyline looked be more for the faithful with Keith chauffeuring the eldest Fitzpatrick to hidden away Not-Kendall. The ending here was more shocking than the other storyline with Kith between a rock and a hard place after it looked like Fitzpatrick took out Not-Kendall and left Keith for dead. Will Vinnie Van Lowe come to the rescue? Is Not-Kendall really dead? And most importantly, why did Keith leave his gun in the glove compartment while escorting a felon right out of jail? Here’s my harebrain theory: Not-Kendall was the one that hired Vinnie and is playing all the boys (and was wearing a bullet-proof vest) because she need something from Fitzpatrick before she reunites with her true love, Big Dick.

Now onto some superficial parts of the show. The new credits are slowly growing on me. The look of them are cool and may fit the show better, but my problem is they messed with the song. It just sounds wrong. Then there are the “pods.” Words cannot express how much I hated them. I mention back during my First Impressions of America’s Next Top Model that is they had tampon “pods” for Girls Tuesdays I’d be unhappy and those Aerial thing are basically as bad. Now if I were a guy who turned into the show for the first time to see what the hubbub is about, I wouldn’t have made it past the commercial break because of that. It’s really not a good idea to alienate half the population with a commercial. Plus it’s a complete insult to us dudes who already watch the show. Really I you need a guy to join the slumber party, shout me a holla.

Up next week on Lost, it looks like the Sayid and his party try to find the captive although how they think they will find them is beyond me. Then on Veronica Mars, Ronnie heads to sorority row. Seriously, how great is that episode going to be. Too bad Perky Parker, (presumably) won’t be in full perky mode for the festivities.

I Want to Stay in Love with My Sorrow

There have been a few changes in the band Evanescence since the releases of their six time platinum debut Fallen. Okay maybe a few changes is an understatement with the perceived musical leader in the group, Ben Moody, lived up to his last name by quitting the band mid-tour only to spend his time working with the likes of Avril Lavigne (Nobody’s Home), Kelly Clarkson (Because of You), and Lindsay Lohan (Fastlane). Then during the recording of the new album, The Open Door, Moody’s replacement, Terry Basamo had stroke. And if Amy Lee’s professionally life wasn’t in such disarray, her ex-boyfriend went into rehab just days after the release of the album’s first single Call Me When You’re Sober taking out any debate on whom the song was about.

But as Fleetwood Mac and their massive hit Rumours have told us, sometime turmoil can sometimes be turned into a critical and commercial success. Granted they stayed together through all of that turmoil. The blessing and the curse of The Open Door is that is sounds much like Fallen. It is a blessing because it redeems Amy Lee after many people thought that the band would fail because it was believed that Moody was the driving force behind the band. The curse though is, well, it sounds too much like what they have already down and very little growth on the new album. But some points should be awarded for not retreading the nü-metal pseudo-rapping in their first hit, Bring Me Back to Life.

Despite the familiarity of the songs, Sweet Sacrifice could be called Going Under II, the album is definitely front-loaded as the back half at times make you look at how much time is remaining wondering how much longer will the album will go on. But Call Me When You’re Sober is the band’s best non-power balled as it takes the best parts from Bring Me Back to Life and surrounds them with striking piano chords and biting lyrics that could send any scorned ex-boyfriend into rehab. Then there is Lithium (not to be confused with the Nirvana song) which tries to be this album’s My Immortal, but fall short of it’s predecessor’s emotion. Same with the album closer Good Enough which just features Lee on the piano. Even the Millennium Choir shows up on a few songs much like that last, but by the time they show up, the album has already become old hat.

Song to Download - Call Me When You’re Sober

The Open Door gets a on my Terror Alert Scale.

Nobody Ever Had a Dream Round Here

Of all the retro eighties synth-pop bands that have been trying to resurrect the sound in recent years, The Killers were the only ones that made songs that were listenable. The key to their success was they treaded lightly on the synthesizer sound while Brandon Flowers sang grandiose lyrics which where at heart kind of quirky. Some something happened between that first album and their follow up Sam’s Town and that change can be summed up in a name: Bruce Springsteen.

Now I would never be against anyone who would like to model their sound after the Boss, but when your original sound is far from it and works for you, I’m not sure it would be that good a decision to make that drastic change. Plus it hasn’t been that good of a summer for those making grand predictions for their next album (see Angels and Airwaves trying to channel U2 and Ludacris claiming his latest album being the one that will make everyone take him serious). And when Flowers claimed the album was influenced by Springsteen, apparently he only listened to albums with “Born” in the title because the album sounds like it’s trying to recreate the bombast of Springsteen’s most commercially successful albums. So on Sam’s Town gone are the quirky lyrics, unless you count the absurdly titled Bling (Confessions of a King), replaced by stories of Americana seen through those that live in Las Vegas.

With all the Springsteen talk, the album is bookmarked by a pair of songs that sound right out of Moulin Rouge with the Enterlude and Exitlude with their lounge act feel. Oddly enough, that album doesn’t even start with the Enterlude, instead it starts with the title track, the band’s first attempted to recreate a Springsteen arena rock anthem. But then for some reason during the break they have a chorus start singing, “I see London.” Maybe I’m just too sophomoric, but I can’ imagine anyone hearing the song for the first time and not think, “I see France” will be the next line.

There is a section in the middle of the album where the band goes back to its roots with eighties sounding songs that are more David Bowie than Springsteen starting with For Reasons Unknown, Read My Mind, Bones, and My List but are missing the fun lyrics that set the band apart from other bands of the genre, past and present. Bones itself is a morbidly creepy song which sentiment will most like only be increased by the Tim Burton directed video. But in the middle is the closest song the band comes to anything on Hot Fuss with Uncle Johnny. The crushing guitars of the song suggest something darker than the band has ever done and definitely doesn’t come from Springsteen but the choir at the end is reminiscent of the one at the end of All These Things I’ve Done. Unfortunately the band doesn’t hide the fact the rest of the album is mediocre at best.

Song to Download - Uncle Johnny

Sam’s Town gets a on my Terror Alert Scale.

First Impressions: Heroes

There is a good chance that I was the last person to see Heroes. I wasn’t one of the lucky ones that got to see it at Comic-Con (on account that I wasn’t there at all) nor did I get the special code to view it a month early on iTunes. Then this past Monday I was too busy with the Veronica Mars Press Conference (see Chatting with Rob Thomas and Tina Majorino) to watch the premiere. Then Tuesday is my massively long class so I didn’t get to see the rebroadcast. And I have much better thing to do than watch the Sci-Fi channel on Friday night when they showed it once again. So instead I watched it this weekend on NBC’s streaming site which doesn’t have any cool name like other channels.

Now I can explain the characters and their abilities but I won’t for two reasons, there a good chance you already know and secondly, Ain’t it Cool News gave a better description than I could ever com up with:

The guy from Tokyo discovers he can teleport himself, just like Nightcrawler. A cheerleader discovers she can heal herself, just like Wolverine. A cop discovers he can read minds, just like Professor X. A nurse thinks he might be able to fly, just like Storm. An artist thinks he can see the future, just like Destiny. The stripper can kill people by summoning a dark psychic force, just like Phoenix.

Yep, on the surface, the show seems like a blatant rip-off of the X-Men, whom the Asian dude even name drops, but without the cool costumes and more importantly without any archvillains (or are there some). And X-Men may not be the only “inspiration” as the main characters crossing paths even though some are in different time zones has a very Lost during flashbacks feel to it. And didn’t Surface center around a cast that didn’t actually know each other when the show started? And what happened to that show? Of course when I first heard about the show my first thought was the short lived Courtney Cox show (that I had to search imdb to find) Misfits of Science. But you know something’s obscure if they don’t even cover it on any of the I Love the 80’s.

But what hurts the show is the characters in the massive cast are poorly written and are executed even worse by the actors. Aside from the Asian dude, none of the characters are worth caring about or at all entertaining. And the Asian dude can get old real quick if he doesn’t learn English soon. I watch television to avoid reading. The poor casting is highlighted Milo Ventimiglia who single handedly ruined America Dreams as well as headlining The Bedford Diaries. Seriously, how bad do you have to be to only get a half a season on The WB? Then there is Ali Larter, who is best known for bringing the world the whip-cream bikini, so she is excused for her very dry performance and a webcam stripper. The cast is rounded out by the bland Hayden Panettiere (Bring it On 3, yes there up to three of them, don't ask when the second one actually happened) as the bland cheerleader and two ethnic guys who I have yet to be able to tell apart yet. Then there is Greg Grunberg who gets most of his work because he knows J.J. Abrams has yet to show up yet.

But among the bad writing and acting, the biggest crime against humanity for Heroes is that they relegated Shaft to just a dude in a coma without any lines. C’mon, this is Shaft, he should be out having sex with white woman and being an all around bad mother… well maybe I should just shut my mouth. But Shaft should be denigrated like this.

Verdict: After seeing the episode and all the reviews that are extremely hot or cold with very little in the middle, I understand the deviation. The positive reviews are coming from comic-book nerds while the negative one comes from fans of television. So figuring out which side of the fence you reside on will most likely dictate whether you will watch or not. Maybe it was because Heroes was disappointing and Runaway was much better than I expected, but Runaway (see my First Impressions) may be the better new show. Heroes airs Mondays on NBC at 9:00 and you can stream the latest episode on the NBC website or buy it on iTunes (see below).