Friday, August 25, 2006

I Hear Them Screaming on the Radio


On the Outside - Starsailor

broke out in England and had massive success earlier this decade right around the same time as another melodic band from that country, . But unlike Chris Martin and the boys, Starsailor’s debut single stateside, Good Souls, failed to get as much play as Yellow and their follow up Silence Is Easy wise widely ignored here two years ago as another similar band gain notoriety with Somewhere Only We Know. Now Starsailor is back to see if the third time is truly the charm with the release of .

On the new album the band takes a decided harder sound, but instead of the crunching guitars or piano that Coldplay in known for, Starsailor instead assaults you with a wall of noise. Not coincidentally the inventor of the Wall of Sound, Phil Spector helmed their previous two albums, but wasn’t around for this one. Instead the disk was produced by Rob Schnaph who has worked with the like of and Elliot Smith. The one-two punch of In the Crossfire and Counterfeit Life come out you full force while lead singer James Welsh is found screaming at times which only builds the effect even more and isn’t afraid to reach for notes throughout the album. The emotion in the music and the singing never lets down on the whole album which could be attributed to the record being record live in the studio.

But it’s not all a melodic wall of noise, I Don’t Know is a straight ahead rocker filtered through American blues that is reminiscent to mid-eighties . Get out While You Can goes from a haunting acoustic guitar and piano verse to a more melodic chorus and back again. Jeremiah is a slow moving acoustic song with a lyric, “And every time I see the sun go down I think of you,” that can easily get stick in your head and is a great way to cap off the album (bonus track excluded). Speaking of the bonus track, Empty Streets, it is the closest song on the album that has the same melodic feel as previous works such as Good Souls.

There is anger in the lyrics that coincide with the harder sound whether it’s love, “See that poor girl with the glint in her eye, she could turn you that way” (I Don’t Know), political, “I don't see myself when I look at the flag. Thank God for that” (In the Crossfire), globalization, “A war for corporate glory re-told as a fairy story” (Counterfeit Life), and life itself, “Tired of living in this modern land, too many ideals to meet with its demands” (Faith Love Hope). On the Outside may be a step backwards in trying to get commercial success stateside, but it is a step in making better music.

Song to Download - In the Crossfire

On the Outside gets a Terror Alert Level: High [ORANGE] on my Terror Alert Scale.


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