Previewing The Path

House of Cards was a game changer for streaming sites; it came out a swept most of the major television awards in its first year. Sure there have been shows made for the internet since high speed internet became widespread but before House of Cards they were called webseries that looked cheap and most were under ten minutes. But House of Cards was considered a television series that you did not need a television to watch and soon every streaming site were producing television quality series to get eyeballs to their site. Seriously, Playstation Plus has its own series. Sure, like every boon, there were some high profile bust; Yahoo! Screen who resurrected Community has already folded after a $42 million write down.

Hulu started out as a place to watch last night’s episode that you missed on three of the big four networks (CBS, the ratings leader at the time skipped the partnership because they were crushing everyone else but now has its own standalone streaming site with an internet exclusive Star Trek series coming later this year). They had some of the webseries quality type shows (The Hot Housewives series is fun but it certainly is not winning any awards) but finally started throwing some real money around last year with comedies like the Billy Eichner starring Difficult People and Casual from Oscar Best Director nominee Jason Reitman.

Hulu switches its attention to drama this year with more big names. First up was the J.J. Abrams and Stephen King produced and James Franco starring 11.22.63. Since I have been J.J. adverse since the end of Lost, I was much more interesting in their next big swing at drama The Path created by Jason Katims, executive producer of Friday Night Light and Parenthood, and starring two guys coming off high profile television gigs, Aaron Paul (Breaking Bad) and Hugh Dancy (Hannibal).

I have long called Parenthood the blue state version of Friday Night Lights, if that is true, The Path may be the messed up version of Friday Night Lights. At the heart of all Katims show is family, Friday Night Lights had the Taylors, and in a macro sense Dillon football was a surrogate family. That is the case for The Path, here there is the Lane’s (Paul and Michelle Monahan, Kiss Kiss, Bang Bang) but their larger family is not football but a cult (though some would argue Texas football is very cult-like) which Dancy is running while the leader is off adding more rungs to their “ladder” which you will quickly equate to other real life cults.

The series starts off after a tornado hits New Hampshire and Dancy has come to help… and recruited and finds a lost soul and drug addict in Emma Greenwald (Mandy Milkovich number 2 on Shameless) whom he brings back to his New York compound. Early on we also meet Sarah Jones (Alcatraz) who is running from someone, exactly who you think, and by the end of the first episode runs into someone you do not expect. Rockmond Dunbar (Terriers) shows up in the second episode as an FBI agent suspicious of the group for descending on the area hit by the tornado. And since this is a Katims show, of course there is a Dillon alumni cameo, this time in the form of Lyla Garrity doing the hippy dancing (she does do more later in the season).

Netflix completely changed the way television is done, from season and episode lengths to even how the shows are consumed, just air dropping an entire season at once. Despite having the advantages of being a streaming site, Hulu wants to be an old school television network. I do appreciate they still release one episode a week (well they did released the first two episodes today, but presumable just one a week after that). It can be annoying asking people which episode of Daredevil they are before you can talk about it. But I wonder if The Path could have benefited from playing around with the format. It still feels like a Showtime show, well if Showtime had commercial breaks (of course you can pay a couple dollars extra for the ad-free version of Hulu). But really the first season of The Path seemed to go on too long with the middle episodes dragging a bit. It is really should have been a six or seven episode season that got stretched into ten because prestige cable shows run ten or twelve episode. And with those middling middle episode, the show may have been better off if you could binge watch it (of course if you wait nine weeks, you will be able to do that). Those minor gripes aside, The Path is the first show worth paying Hulu for.

The Path is currently available on Hulu with the first two episodes now and new episodes every Wednesday.

I Want My Television Trailers: 2/17/16

I usually save my television trailers for upfronts because, well, that is when the vast majority are released. But two just dropped last week that got me very excited (and two that raised my eyebrow) that they are definitely worth sharing.

The Path


The Path had me at "From the executive producer of Friday Night Lights and Parenthood." Heck, I even watched every episode of About a Boy despite some poor casting decisions. Clearly Jason Katims strong suit is drama and he is back at it with this show and much better casting. First off: welcome back Lyla Garrity, where have you been since Charlie's Angels got axed after three episodes? All I remember seeing her in was a horrible Hallmark Channel movie with Earl Hickey (which I highly recommend if you do enjoy extremely cheesy Hallmark Channel movies). Also in the cast is Will Graham straight from Hannibal except he looks like he may be the sociopath this time around. The trailer is very vague, so I could be wrong but he looks to be like some sort of cult leader. Then throw in Lily Kane's husband from Big Love (screw that other overrated show he was in) and the hot chick from Kiss Kiss Bang Bang. Color me excited. And since Katims does like to recycle his actors maybe Lyla will not be the only familiar face, could Buddy Garrity and Landry Clarke be far behind? How about getting Haddie Braverman some work after sending her off the college. Just do not bring in anyone from About A Boy.

Roadies


I am an absolute Cameron Crowe supporter, I will defend Elizabethtown and even enjoyed Aloha despite its nonsensical plot (seriously, how can anyone trash a movie that features an Emma Stone / Bill Murray dance sequence). So naturally I got extremely excited when Showtime announced Cameron Crowe would be creating his first television show called Roadies. It does seem safe to assume that it will just be Almost Famous set in modern times. And it also has a pretty stellar cast: the better Karen Sisco, the better Wilson brother, the always reliable Luis Guzman. And sure Imogen Poots may be the worst name ever for a hot chick but name a female lead in a Cameron Crowe movie that you did not fall in love with? Seriously, he has been the only person to ever make Kate Hudson likeable. Imogen is already on that list based on the trailer alone, which of course, features a great Eddie Vedder song.

House of Lies


Andy Greenwald likes to joke that Showtime shows go on forever so it is sometimes easy to forget they even exist. Like, oh yeah, House of Lies is still on. But really the big takeaway from the trailer of its fifth (fifth!) season was the inclusion of Vinnie Van Lowe. So for those keeping track at home, on her new show, Veronica Mars has hooked up with Vinnie, Dick Casablancas, and gone on a date with Mercer the rapist. You know Sheriff Lamb is just sitting by his telephone right now. Maybe in the eighth season Don.

Roots


No big surprise that Roots is getting remade, it is getting to the point that is is surprising any big event older than a decade does not get remade or rebooted. Ironically right after watching the trailer for the History remake I was flipping around on television and landed on the CNN The Seventies miniseries right in the middle of the Roots segment where they were talking about how powerful that they cast all the evil while plantation owner with beloved television dad. Compare that with the new one where the only one who gets mentioned in the credits is Johathan Rhys Meyers (The Tudors) who always seems to play horrible people.