There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
The Real Slim Shady was extremely catchy but with every passing album, the lead single from Eminem has been increasingly lame and predictable: skewering of pop tarts, Elvis costumes, peppy beat. So it is refreshing that he actually changed it up this time after admitting that Relapse was “eh.” Though he vocal style isn’t as annoying as the one he used for much of the last album, this song really isn’t much of an improvement from then.
I can’t remember the last time I physically cringed when hearing a song from an artist I actually like (well unless you count to listening to the new Christina Aguilera album as a whole), Timbaland really needs to stop going outside his genre. Really, if you strip the song down to just the acoustics from Michelle Branch, it might be a great song, but Timbaland just has to go and make his Timbaland face and ruin everything. Hopefully there is an acoustic version of the song out there somewhere.
It is probably not a good sign for the music business that the biggest song of the year was released back in 1969. But for some reason, three artists all used Na Na Hey Hey Kiss Him Goodbye by Steam in their songs. Wale started out ’09 sampling it for Chillin’. Then Kristinia DeBarge used it as the chorus for her debut song, the aptly titled Goodbye. Then Jay-Z tried to kill off Auto-Tune with the help of the famous cadence. Despite the overuse of cheesy sports anthems, 2009 was actually a great year for good music (on the flip side, it wasn’t much of a good year for great music) as this was the largest pool of songs, 250 (shoot me an e-mail if you want the full list, I'll send you my speadsheet), which I had to cut down for my Top 100. And here they are and I hope to see everyone back in 2010 (check the bottom of the post for samples of the songs on the Amazon MP3 widget):
Where I could find them, I linked the mash-up's to YouTube (or embedded them). To download the orginal source, click the song names to be taken to iTunes.
If you are interested in reading my original review of these albums, check out the link below the album and if you are interested in buying them on iTunes, click on the album link. If you want to buy the physical CD, head over to Scooter McGavin’s Amazon Store (or click on the album cover) where you can order them there:
There have been a couple of videos that have caught my eye lately so I thought I’d give them some love since the death of Musical Television left a void for a forum on the art form. If you are interested in buying the video through iTunes, click the title link (where available). If you are interested in buying the song, look for a link in the analysis.
Ask me on the right day and I say this is my favorite Dave Matthews Band song off their latest album. And this video just looks cool with all the additions to the band as the song progresses.
When The Roots signed on to be Jimmy Fallon’s house band that we would get less music from the band. But maybe being tied to one place means more albums with How I Got Over coming later this year. Speaking of The Roots night job, one byproduct is some awesome collaborations including the recent one where they backed Christopher Cross and Michael McDonald. I think I can die in peace now.
When did Norah Jones become the go to hook singer for rappers? An odd composition from Q-Tip with just one verse that just name drops his favorite rappers that doesn’t even start until a minute and a half of Jones crooning. I like it though.
I never understand why record companies shelve album. I cannot cost that much to press CD’s and transport them to stores (certainly nowhere near the $18 retail price) and now it costs basically nothing to upload to iTunes and the like. But we have to wait eight years to (legally) hear the lost Q-Tip album, Kamaal the Abstract because his A&R man said, “I don’t hear a single.” So into the great wide open of the ether the album went until Q-Tip finally regained control of the rights to finally put out.
So now it gets its proper release so the obvious question is: Is it worth the wait? Well, yes and no. Had the album been released in 2002, it would have been a revolution with Tip bridging the gap between rap and jazz more than A Tribe Called Quest ever did thanks to the live jazz band backing him up while Q-Tip goes back and forth between rapping and singing. Now after Andre 3000, Kanye West and upstart Kid Cudi have all mixed the singing and rapping to mixed results it almost sound like another album if it weren’t for the jazz aspect to it whereas other backing music of choice ranges from emo (West) to electro (Cudi) to everything in-between (3000).
And as adventurous Tip was to branch out with a live jazz backing band, the actual jazz being played really isn’t that adventurous itself and is more of a Jazz for Beginners starter kit for those not familiar with the genre or consider Norah Jones part of the moment. And that is not on Q-Tip who has no problem stepping back from the mike on multiple songs to let the musicians jam a little. But it is decent as a starter kit for jazz version who find jumping straight into Miles Davis or John Coltrane too daunting.
Usually at the beginning of each quarter I list what albums are coming out chronologically, instead, this time I am counting down the ten albums I am most looking forward to listen to this fall. Then the rest I sorted by release date. If you are interested in pre-ordering the record from Amazon, click the album name (or the album cover where available). Click the artist name to be taken to their iTunes page to grab their current work. And as always, all dates subject to change.
1. Battle Studies – John Mayer (November 17): When I get around to making the Greatest Albums of the 00’s list, you could make an argument for any of his first three albums to land near the top of the list. Hopefully he goes four for four with Battle Studies.
2. Kamaal the Abstract – Q-Tip (September 15): This should have been on the Most Anticipated Albums of Spring 2002, but the album got shelved by Arista. The record takes the jazz samples of A Tribe Called Quest to the extreme of live instrumentation and even sees Tip sing long before Andre 3000 or Kanye with production from the late J Dilla.
3. Draw the Line – David Gray (September 22): Even though he hasn’t gotten the mainstream following after striking it big with Babylon, Gray has put out consistently good music since. And from the signs of the first single Fugitive, it looks to continue.
4. Everything Comes and Goes – Michelle Branch (November 10): Branch started off her career by making what may end up being the greatest pop album of the decade. Like many other artists this decade, she went country with her duo The Wreckers. Now back with her first solo album in six years, it sounds like she will continue straddling the pop / rock / country fence.
5. Kiss and Tell – Selena Gomez and The Scene (September 29): Just kidding, making sure you are paying attention. But seriously, their first single is disturbingly catchy. Don’t tell Chris Hansen I said that though please.
6. The Seventh Seal – Rakim (September 22): Another rap album that has been taking too long to be released. I have been anxiously waiting for this album ever since Dr. Dre signed him to his Aftermath label back in 2000. He left three years later to sign with Dreamworks that folded shortly after. Hopefully there are no more snags between now and the 22nd.
7. I and Love and You – The Avett Brothers (September 29): I was first introduced to the band when Friday Night Lights used it as the soundtrack to the Landy/Tyra coupling. Now with a Rick Rubin produced, they are posed to be the breakout rock act of the year.
8. Play On – Carrie Underwood (November 3): Unlike #5, this is no joke. Her debut was the guiltiest of guilty pleasures and the follow was exactly what you expect, save the last track Wheel that pushed her boundaries outward. From the sound of the first single Cowboy Cassanova she might be pushing further with the song co-written by Mike Elizondo, one of Dr. Dre’s co-producers.
9. Man on the Moon: The End of Day – Kid Cudi (September 15): Consider me skeptic about a five act rap concept album, the recent three acts from Green Day was heavy-handed. But Make Her Say may go down as the best hip-hop track of year. And bonus points for being from Cleveland.
10. How I Got Over – The Roots (October 20): You would think after agreeing to be Jimmy Fallon’s house band, The Roots would rest on their laurels, but just a year after releasing their last album comes a new one.
Here are some other albums you can expect to drop sometime before Christmas. If I missed anything, let me know in the comments or tell me what fall release you are looking forward to:
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13. LOtUSFLOW3R/MPLSoUND - Prince
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